I am working on several new projects after a long time seven years. I would say a new phase has begun for me, says renowned filmmaker Govind Nihalani who makes his comeback with the soon-to-be released Marathi film Anumati. Nihalani,who wrote and directed critically-acclaimed films such as Dev,Tamas,Aakrosh and Ardh Satya originally began his career as a cinematographer and cameraman.
With Anumati,he begins his return to the industry with cinematography again. This is a project I have taken on as the cameraman after a long gap. When Gajendra (Ahire) asked me whether I would photograph his film,I said yes a little tentatively. But when he read me the story,I told him Id do it on the spot, says Nihalani. What I liked about the film was that its script is not plot-heavy or designed to entertain. Theres no element of glamour in it; the lead character is a middle aged man and there are no songs. Making such a film is an act of courage.
After the reading with Ahire,Nihalani decided that the best way to portray the story would be to keep the cinematography as realistic as possible. I knew that the story has no scope for fantasy. Everything has to be as real as possible; there was no scope for fancy lighting,we didnt use any sets. I wanted each scene to look like we hadnt used any artificial lighting, he says. Nihalani has made several films based on communalism,politics and other social subjects in the past. Anumati on the hand is a love story; it is the exploration of a character and his love for his wife. It is a story full of passion and compassion, he says.
Cinema,according to Nihalani,is never static and is always in a state of change. Our stories change,the techniques and styles change. Ive been in the industry for fifty years,why should I make the same films I made fifteen years ago? I dont want to be stereotyped, says Nihalani.
The current generation is not a product of the Partition or Emergency,he says. They are a liberated generation who are open to ideas from all over the world. So films today are made with a completely different sensibility and this is a positive thing, he says.
Besides Anumati,Nihalani is also ending his sabbatical with an animated film that he has written,directed and produced. The film,Kamlu Happy Happy is about a baby camel who dreams of flying. I love animation and graphic art. Long ago,I had met Ram Mohan,the father of Indian animation and I was inspired to make this film. In fact he created the basic concept of the characters. This film has
taken a long time to make but hopefully by this year,we will release it, he says. Nihalani mentions that there are a couple of projects in the pipeline,including one Marathi film and another Hindi movie.
The animated film took a lot of my time and resources over the past seven years. It was a huge investment and because I was the producer I could not help it. But now that this film is almost over,I am going to do everything I did before write,direct,produce and photograph, he says.