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This is an archive article published on June 15, 2003

The New Collectors

Collector Turns Advisor Jai Bhandarkar has been collecting art for over ten years. But two months ago the 40-year-old art enthusiast gave u...

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Collector Turns Advisor

Jai Bhandarkar has been collecting art for over ten years. But two months ago the 40-year-old art enthusiast gave up his family business to start art advisory White Canvas with 32-year-old Pranali Daundker.

First brush

‘‘My grandfather Vamanrao S Pandit studied portraiture at the Royal College of Art under John Singer Sargent, so you could say that art runs in the family,’’ says Bhandarkar, who always had an eye for art.

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‘‘It goes without saying that it’s not just an investment but a bit of history that you’re buying,’’ says Bhandarkar who studied art and aesthetics before he became a collector.

Collector’s special

While he has a passion for ancient art, like Chola bronzes, Bhandarkar is an avid collector and promoter of contemporary art. ‘‘I like art that’s young and full of verve, like Sunil Padwal and Ganga, but I also enjoy intense work like Jyoti Basu’s or Jehangir Jani’s. I have works that I will never sell, but being a promoter, now I have to draw the line a little more carefully,’’ he says. He recalls an incident where he wanted to keep a Jyoti Basu for himself but had to give it up to a client.

Latest addition

Prakash Wagmare, a Mumbai-based artist and an N S Bendre.

Foodie Goes Arty

When 34-year-old Radhika Khanna isn’t making chocolate ‘Divine’, she’s hopping from one art gallery to another. A one-time restaurateur, she used to run Sukho Thai and Curry On the Roof in Delhi’s trendy Hauz Khas. She has always lived in homes full of beautiful paintings.

First brush

Khanna’s parents were collectors and if that isn’t enough, her in-laws have begun collecting too. She has her own modest collection with upcoming artists like Delhi-based Dharmendra Rathore and Bhopal’s Bodade.

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‘‘I collect works to enjoy them,’’ says Khanna who is quite clear that she doesn’t like abstracts. ‘‘I like vibrant works, easy on the eyes, specially watercolours.

Collector’s special

When I acquire a work that I’ve been eyeing for a long time, I experience a feeling of elation,’’ she declares. Like most young collectors, she limits her budget to Rs 40,000. She adds to her collection once every six or seven months.

Latest addition

A few months ago, she bought two little canvases from Triveni Kala Sangam by artist Sarika. ‘‘They are colourful and perk up your room.’’ However, she reveals, ‘‘I want to own one work by Anjolie Ela Menon. My parents have a few of her works. I hope to inherit them,’’ she jokes.

Kolkata Chromosome

Ranjit Mehta, a 31-year-old senior manager at Rabo India Bank has just started out with collecting. With only three years of experience, he has his father’s legacy to guide him, having grown up on a strict diet of Kolkata art.

First brush

‘‘I’ve grown up surrounded by art. My father, who works with a tea firm in Kolkata, is responsible for my exposure,’’ says Mehta. He bought his first painting in Mumbai—a landscape by a relatively-unknown artist called Vyas.

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‘‘Windows aren’t the only thing meant for the walls. We have to adorn our walls with something beautiful and aesthetic.’’

Collector’s special

‘‘When you acquire a painting and you know for a fact that you are never going to sell it, you know you have bought a winner,’’ says Mehta, who collects works by artists like Partho Dutta including a charcoal on paper, also bought in Mumbai. ‘‘The trick is that the artist shouldn’t be completely mature, yet should have his distinct style. Since I can’t afford big names, I normally spend between Rs 20,000 to 30,000,’’ says Mehta whose penchant for Bengali artists stems from the nostalgia and romance in their work.

Latest addition

Six months ago, he bought a work by upcoming artist Dharma Adhikari from a Delhi gallery. However, his ultimate aim is to own a Paresh Maity and a Paritosh Sen.

All in the Family

For 43-year-old Anil Mittal, the director of Mittal Builders, collecting started at the age of 34. Now he’s grown from that first impulsive buy to developing a more discerning eye. And the whole family is enthused about art, from son Prateek, who just had to have a Chintan Upadhyay from the Stamped collection to daughter Prakriti who paints as a hobby.

Mittal’s younger brother Ajay (38) and wife Archana (35) have actually had a bit of a headstart on collecting — they started a few years before him. “Art is a very good investment in today’s scenario, with the international market opening up to Indian art,’’ says Ajay, who owns biggies like Laxman Shreshtha, Anjolie Ela Menon and M F Husain, with a few younger artists sprinkled in.

First brush

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‘‘I’ve always liked and appreciated art, but never thought of having it in my house,’’ says Mittal who would take relatives on gallery rounds. Then one day he saw a painting in Mathura, ‘‘I knew I must have it. After that it has been a long discovery,’’ he says.

Art beat

‘‘Besides having an aesthetic object to decorate one’s interiors with, art is a big stress buster. I make sure I have it in the office, at home, and in my farm house.’’

Collector’s special

‘‘I have the Husains and Souzas but I don’t collect for the sake of names. The work must speak to me.’’ Which is why he has young and upcoming names like Chintan Upadhyay, and Himanshu Desai (for whom he paid approximately Rs 40,000.) ‘‘I find that an art dealer like Ashish Balram Nagpal is a genuine advisor,’’ he adds.

Latest addition

‘‘This one is a Souza. A painting I have long wanted to have,’’ he says of the 1996 landscape with maddening colours and strokes that are characteristic of the artist.

One-Track Mind

Niranjan Iyengar, the 32-year-old script-writer of Kabhi Khushi Kabhi Gham fame, did not think of collecting art till he saw the works of Vishal Tandon. Captivated, he dug deep into his pockets and decided to go beyond his collection of photographs to include the A word in his vocabulary.

First brush

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‘‘I have been hanging around galleries for a while, but nothing struck me as much as Vishal’s work. There was something about it that proved to be irresistible. Now I don’t see myself as a big collector, but I do know that this is the beginning of something,’’ he says.

Art beat

‘‘It is invigorating, soothing and yes, it complements my moods. I would never look at art as an investment… not right now, at least.’’

Collector’s special

‘‘I have all the respect in the world for someone like Husain, but if his work doesn’t move me I will not buy it—even if I can afford it. My collection has to please me,’’ he says, laconically pointing out that at the end of the day it’s not the name but the work that counts.

est addition

Vishal Tandon, need we say more!

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