
In his popular smiley-weepie telserial, Sailaab, that followed the boisterous-bordering-on-the-melodramatic Tara, Ravi Rai told his audiences that marriage is the start, and not the end of romantic complications.
Yet, it wasnacirc;euro;trade;t acirc;euro;tilde;boldacirc;euro;trade; by Indian standards. There were pregnant pauses between dialogues, tears that stained the cheeks of a heartbroken Shivani the girl-next-door, mellow, melancholy expressions in soft focus, Jagjit Singhacirc;euro;trade;s voice, that gave a tender ache to the opening sequence basically as subtle as it could get. Realism abounded: small domestic worries, conscience vs heart. And the nice couple: they didnacirc;euro;trade;t divorce! Betraying a spouse was worse than hurting a soulmate.
Ironically, Rai himself is everything but mellow and melancholy. He came to Bombay in the 80acirc;euro;trade;s acirc;euro;oelig;to make moneyacirc;euro; and ended up getting into Bollywood instead. acirc;euro;oelig;After a lot of struggle, I managed to get two films, Do Pal, with Karisma Kapoor and Rahul Roy and Dil Diya Chori Chori with Vivek Mushran and Raveena Tandon. Both got nipped because the actors werenacirc;euro;trade;t doing well and the producers werenacirc;euro;trade;t ready to go ahead. Bollywood was one big disillusionment,acirc;euro; Rai admits. Television is just about fine. acirc;euro;oelig;I see it as my source of bread and butter, nothing else. I donacirc;euro;trade;t have any dream project. I want to do what comes to naturally to me.acirc;euro; Which incidentally is mostly imagination. All his ideas take shape when he imagines himself in a situation: acirc;euro;tilde;What if I were to realise that I was in love with my old girlfriend? What would happen to my family if I died today? Blah Blah.. The rest is a combination of my sensibilities and my past.acirc;euro;After over a decade in the television industry, Rai has a niche carved out for himself, but it isnacirc;euro;trade;t without its dose of bitterness. He wouldnacirc;euro;trade;t want to see Indian television the way it is today, for too long. acirc;euro;oelig;Look at the way, for example, women are portrayed in most of the shows and serials. Like dolls and seductresses.
This, despite that Indian television has four women on top positions, women who have broken the glass ceiling and are in a position to change things.acirc;euro; He could go on about Bollywood too. acirc;euro;oelig;I may dabble with Bollywood again, but I donacirc;euro;trade;t have a dream project. I think thatacirc;euro;trade;s stupid. Thereacirc;euro;trade;s no Stanley Kubrick or Guru Dutt to inspire me.acirc;euro;
But Ravi Rai knows heacirc;euro;trade;s here to stay. And we donacirc;euro;trade;t mind. Who better than one of Indian televisionacirc;euro;trade;s beguilingly tenacious presence to teach lessons of the heart?