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Journalism of Courage
When New Zealand take the field in Mumbai for their Champions Trophy opener against South Africa on October 16, it would mark their return to serious cricket after seven months. Of all the big teams at this tournament, New Zealand seem the least prepared 8212; not only have they lacked sufficient match practice, their line-up is in shambles at present.
The perennial dark horses, a few familiar faces peek out from the squad of 14 this time, but the form and fitness of some will remain key to their progress in the championship. It will be a challenge for skipper Stephen Fleming to manoeuvre and hide his team8217;s two weaknesses 8212; bowling at the death and batting out the middle overs. For him, it8217;s a difficult choice between reputation and experience, exuberance and form.
Though on paper, New Zealand bat low down till number 8 8212; wicketkeeper Brendon McCullum and Daniel Vettori have showcased their batting skills admirably 8212; they will look up, literally, to Fleming to provide the impetus in the power-play zone. Lou Vincent has the capability, but has often misplaced the trust with inconsistent performances in the top-order. Nathan Astle is another big hope and, he remains, along with Fleming, the dangerman with the bat.
Going with the ball, New Zealand have 20 overs in safe deposit with Daniel Vettori and Shane Bond. Now that8217;s where the problem starts. James Franklin hasn8217;t got the pace, and with conditions not helping sideways movement, the left-arm paceman will have problems. Kyle Mills has the pace but is low on accuracy; his bowling in the slog overs has been shoddy.
Mark Gillespie is a new face in the seam attack and the selectors have hand-picked him for his ability to bowl at the death.
There8217;s one other man who will be in demand. Jeetan Patel is expected to be a big hit, and everything seems laid out for him. Apart from keeping people busy tracing his Indian roots, Patel8217;s off-spin and his confidence in bowling the slog overs can add zip to the bowling arsenal.
