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This is an archive article published on July 14, 2002

Acute Angles and Obtuse Subjects

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A Cartoonist Remembers
By O.V. Vijayan
Rupa & Co, price: Rs 395

Vijayan brought a distinctly young voice to Indian cartooning. He had everything that was ‘‘anti’’ that went with the campus mood of the sixties and the seventies. His graphic idiom down to the speech balloon looked modern and defiant. He had considerable peer pleasure. Abu Abraham and Rajinder Puri had levelled up editorial cartooning and they were doing incredible caricatures in the anatomical mode. Vijayan chose geometry instead. He dismantled political figures into templates of circles and triangles.

Indira Gandhi was half a dozen acute angles and a wavy line or two. Brezhnev had thick black patches for eyebrows and a chin that multiplied and sagged like the Soviet map into Afghanistan. Mao’s face was a perfect circle — inhumanly perfect. The sole surviving politician in this collection is Vajpayee shown at the door of the Lok Dal office and Vijayan calls him the religion trying to infiltrate caste. Vijayan wrote his gags with a flow and rhythm that come naturally to an accomplished writer. One such memorable caption is altogether missing from a cartoon reproduced in this collection (Page 71). C. Subramaniam standing beside a club-wielding muscleman labelled ‘‘Rouble’’ is consoling the puny ‘‘Rupee’’: ‘‘I’m no expert and wouldn’t know about the gold content but he assures me he has a heart of gold.’’ A particularly sad miss considering economic issues like the Rupee-Rouble exchange rate seldom figure in Indian cartoons. The cartoon cliche of the ordinary man weighed down by taxes and prices has survived into our post-liberalised times.

Another telling cartoon on Bhutto’s assassination has a truncated caption. Zia-ul Haq is taking a walk in the cemetery of his predecessors. The full caption is: ‘‘And now for a quiet stroll down the memory lane.’’ The visual is so evocative that you don’t read the caption, you hear it. With a minimal silhouette of a tree in the background, the cartoon looks stark and eerie. A lesser cartoonist would have put in an owl.

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One hates to nit-pick this well-produced book. The cartoons and the notes on cartooning by the cartoonist himself could have been contextualised though. Ashis Nandy’s introspective foreword and Sundar Ramanathaiyer’s research paper on cartooning as development critique help but both seem to see Vijayan as a lot more grave than he is. He could reel off a delightful cricket cartoon as well as any: ‘‘That’s life. One moment we are full of hope and the next it’s gone with the Windies.’’

If Vijayan, dubbed too cerebral, and Rajinder Puri, dubbed too political, were to actively cartoon today, they could well mean a lot to the kids who are SMSing their way through schools and colleges. The country’s first visually literate generation, reared on TV, is almost ready to vote and there are significant numbers here with English as first language. The opinion-making, policy-making, money-making parent who asks for the dumb and the safe when it comes to cartoons can take a lesson from the 16-year-old who takes the sophistication of Calvin & Hobbes for granted.

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