skip to content
Advertisement
Premium

Kishkindha Kandam movie review: Asif Ali, Aparna Balamurali-starrer is a brilliantly written, skillfully crafted mystery drama

Kishkindha Kandam movie review: For those who may have doubted Asif Ali's acting prowess, this film serves as a testament to his untapped potential. Aparna Balamurali, meanwhile, remains grounded in her role.

Rating: 4 out of 5
Kishkindha Kandam movie review: For those who may have doubted Asif Ali's acting prowess, Kishkindha Kandam serves as a testament to his untapped potential. Aparna Balamurali, meanwhile, remains grounded in her role.Dinjith Ayyathan's Kishkindha Kandam, starring Asif Ali and Aparna Balamurali in the lead roles, is now running in theatres. (Image: Asif/Facebook)

Kishkindha Kandam movie review: “That will remain a secret forever. That secret will be buried with me,” Georgekutty (Mohanlal) assures his wife Rani (Meena) in Drishyam (2013). But what if keeping a secret isn’t a choice but the only option one has because their in/action in a crucial incident, which has affected everyone around them, has slipped from their mind due to memory loss? Anyone attempting to dive deep into these memories would only find themselves endlessly spiralling into a void of fragmented recollections, with no clear end in sight; and, accessing these memories requires even the owner to find the right key from a large, confusing bunch. This is a pivotal element in director Dinjith Ayyathan’s sophomore project Kishkindha Kandam. However, the beauty of the film lies in the fact that this alone doesn’t form the core of Kishkindha Kandam, freeing it from the pressure of being a thriller and allowing it to evolve into a gripping mystery drama that strikes all the right notes.

After the Model Code of Conduct (MCC) came into effect in the lead-up to the elections, licensed firearm owners were required to deposit their guns. Former Army officer Appu Pillai (Vijayaraghavan), however, delays until the last moment, only to inform his younger son Ajaychandran (Asif Ali) that his pistol is missing. Pillai, a man of strict routines and discipline, has a distant relationship with even Ajayan, who reciprocates that distance. For Ajayan’s newlywed second wife, Aparna (Aparna Balamurali), this strained dynamic and Pillai’s rigid nature are perplexing, especially since he refuses to let anyone into his room. Yet, she and Ajayan share an endearing connection, with proper communication, and Aparna becomes a rejuvenating presence in his life, which has been marred by tragedies, including the disappearance of his son three years ago and the death of his first wife a year later from cancer. The missing pistol soon becomes a larger issue in their locality, situated near a reserve forest once known for its Naxalite activity, when bullet marks are found on a government sign board. As Pillai’s behaviour grows more suspicious, Aparna begins to keep a closer eye on him and realises he suffers from significant memory loss, which he has cleverly concealed by documenting everything around him. This discovery, however, raises even bigger questions for her, which she confides to Ajayan. As he attempts to unravel the mystery of the missing gun, Aparna embarks on her own journey to unravel the mystery that’s Appu Pillai, to find out if there is anything he has deliberately forgotten under the guise of memory loss.

Must Read | ARM movie review: A landmark film in Tovino Thomas’ career

Story continues below this ad

It would be unfair to call Kishkindha Kandam a slow burner. However, it would also be inaccurate to say that it moves at the pace of a thriller. Dinjith and Bahul Ramesh, who not only crafted the movie’s story, screenplay and dialogues but also handled its cinematography, establish the right tone and tempo early on, shifting to a higher gear only when necessary. They avoid overwhelming the audience with a barrage of twists — a common practice that provides only fleeting highs. Instead, they allow Kishkindha Kandam to sink under the skin of viewers at a steady pace. What begins as a seemingly simple family drama gradually unravels as the central characters untangle the knots surrounding Appu Pillai, only to uncover even more complex ones, ultimately evolving into a larger mystery.

While Bahul allows viewers to understand the characters without turning them into complete enigmas, he reveals only just enough at all moments. At the same time, Kishkindha Kandam also refrains from overusing red herrings — aside from a few instances like the well-executed interval block — keeping the mystery intact through the careful buildup of tension. Though Kishkindha Kandam may remind some of Christopher Nolan’s Memento (2000) and Martin Scorsese’s Shutter Island (2010), the distinct differences between these films, aside from the shared theme of motivated forgetting, make the movie a compelling exploration of this concept in its own right.

Watch Kishkindha Kandam trailer here:

With meticulous attention to each scene, Dinjith showcases his evolution as a director, while also demonstrating complete mastery over his movie. His ability to draw out the best from both cast and crew is evident throughout Kishkindha Kandam, elevating the film into a unique experience. The thoughtfulness behind his approach is clear in the deliberate choices he makes — deciding which scenes warrant a background score and when to let ambient sound or silence take over, depending on the moment’s needs. Mujeeb Majeed’s music beautifully enhances these efforts, significantly elevating the film.

Brilliant casting is another one of Kishkindha Kandam’s major strengths, with each character feeling as though they were tailor-made for the respective actors; though this isn’t actually the case and their outstanding performances make it seem so. Vijayaraghavan, as expected, delivers a flawless performance as Pillai, capturing the various shades of the character and the emotional strain he faces due to memory loss with perfection. The subtle shifts in his body language — perfectly mirroring Pillai’s mental state whether it’s the moments when his memory fades or when he panics — underscores his expertise in acting.

Story continues below this ad
Kishkindha Kandam, Kishkindha Kandam review, Kishkindha Kandam movie review, Kishkindha Kandam rating, Asif Ali, Aparna Balamurali, Kishkindha Kaandam, Kishkindha Kaandam movie, Kishkindha Kaandam review, Kishkindha Kandam trailer, Kishkindha Kandam cast, Asif Ali movies, Asif Ali new movie, Aparna Balamurali movies, Aparna Balamurali new movie, Malayalam movies, Malayalam movies 2024 Brilliant casting is another one of Kishkindha Kandam’s major strengths, with each character feeling as though they were tailor-made for the respective actors. (Image: Asif Ali/Facebook)

Cinema Anatomy | Ranjith: The Malayalam writer-director who peddled elitist, patriarchal and misogynistic ideas through his films, now accused of sexual harassment

For those who may have doubted Asif Ali’s acting prowess, Kishkindha Kandam serves as a testament to his untapped potential. He begins with a composed nature, which evolves into an eerie calmness as the film progresses, ultimately revealing a character weighed down by secrets. The distinct nuances he brings to Ajayan, in contrast to his previous characters hailing from rural areas, underscore his versatility and deep understanding of his character. Amid these intense performances, Aparna Balamurali delivers just the right amount as the seeker of secrets who has nothing personal at stake here. She remains grounded in her role, never overshadowed by the highly emotional performances of those around her. Instead, she stays true to her character, conveying its essence with precision. Veterans Jagadish and Ashokan also contribute effectively to the movie with their well-crafted roles.

Bahul Ramesh impresses in the cinematography department, more so than in his previous works, capturing the layers of the atmosphere with depth and clarity. Sooraj ES’ editing also deserves praise for ensuring the screenplay’s smooth flow translates seamlessly onto the screen. His skilful shifts between a sense of openness — reflecting the landscape — and claustrophobia, symbolising the characters’ hidden secrets, allow the audience to feel the right emotions at the right moments. Renju Raj Mathew’s audiography and Vishnu Sujathan’s sound mix also deserve commendation.

Kishkindha Kandam movie cast: Asif Ali, Aparna Balamurali, Vijayaraghavan, Jagadish, Ashokan
Kishkindha Kandam movie director: Dinjith Ayyathan
Kishkindha Kandam movie rating: 4 stars

Anandu Suresh is a Senior sub-editor at Indian Express Online. He specialises in Malayalam cinema, but doesn't limit himself to it and explores various aspects of the art form. He also pens a column titled Cinema Anatomy, where he delves extensively into the diverse layers and dimensions of cinema, aiming to uncover deeper meanings and foster continuous discourse. Anandu previously worked with The New Indian Express' news desk in Hyderabad, Telangana. You can follow him on Twitter @anandu_suresh_ and write (or send movie recommendations) to him at anandu.suresh@indianexpress.com. ... Read More

Click here to follow Screen Digital on YouTube and stay updated with the latest from the world of cinema.

Latest Comment
Post Comment
Read Comments
Advertisement
Advertisement
Advertisement
Advertisement