Blockbuster director duo were once ‘enemies’; their gangs worked tirelessly to defeat each other; the two then delivered longest-running Malayalam film

The feud once escalated to such a level that one gang stole the script for a play the other group was supposed to stage. In retaliation, the latter sabotaged one of the former's events in a tit-for-tat manner.

Lal said that the feud once escalated to such a level that Siddique's gang stole the script for a play Lal's group was supposed to stage. In retaliation, the latter sabotaged one of the former's events in a tit-for-tat mannerSiddique (R) and Lal once belonged to rival gangs that often competed fiercely and even pulled dirty tricks to defeat each other. (Credit: Facebook/@ActorLal)

Although Malayalam cinema has witnessed its fair share of director and writer duos — such as Rafi-Mecartin, Ashokan-Thaha, Anil–Babu, Sachi-Sethu, and Udaykrishna–Sibi K Thomas, among others — there undoubtedly hasn’t been any other pair to date that succeeded as gloriously as Siddique-Lal. Arguably the most successful and celebrated directors the Malayalam film industry has ever had, as exemplified by their 100 per cent success rate, Siddique-Lal movies continue to be cherished and rewatched even today. Although they parted ways three decades ago to pursue individual careers, the two remained the closest of friends until Siddique’s demise in 2023; a bond forged long before they entered the world of cinema or even the public domain.

ARTICLE CONTINUES BELOW VIDEO

But did you know that Siddique and Lal were once enemies? Yes, you heard that right! The two once belonged to rival gangs that often competed fiercely and even pulled dirty tricks to defeat each other. While it’s widely known that the two emerged from Cochin Kalabhavan and rose to fame in Kerala’s cultural and artistic circuit as talented mimicry artistes much before they forayed into cinema, Siddique and Lal knew each other even before that. In fact, they hailed from the same locality of Pullepady in Ernakulam district. However, growing up, they weren’t friends and, in fact, belonged to rival groups.

Also Read | Malayalam cinema’s most successful director made the same film in 3 languages in 2 years; all of them featured superstars; helped revive Vijay’s career

“We first met each other during the local football matches,” Lal recalled during an appearance on Amrita TV’s Ormayil Ennum programme. He added, “We belonged to two groups and Siddique and I were the leaders of our respective gangs. We played football matches every week for money, and the winning team earned Rs 15–25. Nonetheless, Siddique’s team mostly won. So, we initially had only that acquaintanceship and enmity.”

Lal further mentioned that the feud once escalated to such a level that Siddique’s gang stole the script for a play Lal’s group was supposed to stage. In retaliation, the latter sabotaged one of the former’s events in a tit-for-tat manner. “Back then, on the last day of the festival at the local Saint Sebastian church, people staged cultural programmes, including plays and mimicry performances. Both our gangs used to stage plays every year, and we competed with each other in that as well. Since none of us ever learnt the script and dialogues by heart, it was important that someone stood near the stage and prompted the lines to the artistes. One year, the members of Siddique’s gang stole our script. As a result, we couldn’t perform well. Yet, we managed to complete the performance somehow. That created a sense of resentment in us against them.”

Siddique-Lal movies continue to be cherished and rewatched even today. Siddique and Lal on the sets of In Harihar Nagar. (Credit: Instagram/@avmunniarchives)

Nonetheless, Lal’s gang did not have to wait long to get an opportunity to hit back. “No later, Siddique and friends, to raise money for something, organised a magic show in their school auditorium. The magician that they had hired, named Professor Kinnayi, wasn’t actually good at his job. His presentation, in particular, was poor. As the show progressed, he announced that he was going to get into a box, which would be chained properly and locked. ‘After 10 seconds, I will emerge from among the audience,’ he said. As soon as he got into the box, we locked the two doors that led outside. After he got out of the box, he went to the doors, assuming he could exit the stage through one of them, but we had already locked them. No matter how hard he tried to open or knock, we didn’t let him out. The organisers realised this quite late. By the time they approached us, it had been a while. Nonetheless, they talked us into letting Kinnayi go, and we eventually reached a compromise. However, the event was a big flop,” he mentioned, adding that, thus, they managed to even the score.

Siddique and Lal began performing mimicry together and eventually found their way into cinema, joining legendary director Fazil as assistants. Following their debut as writers in Sathyan Anthikad’s Pappan Priyappetta Pappan, Siddique and Lal made their directorial debut with Ramji Rao Speaking. (Credit: Facebook/@ActorLal)

Lal continued, “At the height of the tension, Siddique and one of his friends came to see me one day and asked if we could give them the script — which they had previously stolen — for our play so they could perform it elsewhere. Without thinking twice, I gave them the script, as we had no personal enmity beyond a gang rivalry. They also asked me if I could reprise the role I played in our rendition of the play for their version. I agreed to that as well. The rehearsal camp was organised in a local gym. When I went to the rehearsal, my gang also came with me. And at that gym, during the rehearsals, we all became friends, effectively ending our gang war forever.”

Story continues below this ad

ICYMI | Malayalam’s first action hero did over 100 movies in six years; died after he asked retake of dangerous helicopter stunt

Subsequently, they began performing mimicry together and eventually found their way into cinema, joining legendary director Fazil as assistants. Following their debut as writers in Sathyan Anthikad’s Pappan Priyappetta Pappan (1986), the duo made their directorial debut with Ramji Rao Speaking (1989). In the subsequent years, they helmed In Harihar Nagar (1990), Godfather (1991), Vietnam Colony (1992), and Kabooliwala (1993). And all five of them emerged as massive blockbusters, and their Godfather remains the longest-running Malayalam film of all time. Afterwards, they parted ways to pursue individual careers but continued to collaborate in various capacities.

Click here to follow Screen Digital on YouTube and stay updated with the latest from the world of cinema.

Latest Comment
Post Comment
Read Comments
Advertisement
Advertisement
Advertisement
Advertisement