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Nishaanchi teaser: Anurag Kashyap promises a wild, filmy ride into the masala heartland. Watch
The teaser of Anurag Kashyap's new film Nishaanchi is out, signaling the filmmaker's bold embrace of Bollywood's masala spirit.

Anurag Kashyap, long hailed as the maverick of indie cinema, appears to be embracing the masala spirit of mainstream Bombay cinema in his upcoming film Nishaanchi. The teaser, which dropped today, signals a vibrant, entertaining ride set deep in the heartlands of India, a departure from Kashyap’s more brooding, gritty narratives. At the core of Nishaanchi seems to be the story of two brothers — Babloo and Dabloo, who embark on drastically different life paths, with the narrative poised to explore how their choices shape their fates.
The film marks the acting debut of Aaishvary Thackeray, who stars alongside Vedika Pinto, Monika Panwar, Mohammed Zeeshan Ayyub, and veteran actor Kumud Mishra in pivotal roles. What’s immediately striking in both the teaser and promotional posters is a sharp sense of self-referential humour . The teaser opens with the cheeky line: “How can one live a life without Bollywood?” For Anurag Kashyap fans, this is a direct nod to a now-iconic moment from Gangs of Wasseypur, where Ramadhir Singh famously declares: “As long as there is cinema in this country, people will continue to get fooled.”
But perhaps the most revealing moment of meta-commentary comes later in the teaser, when a voiceover says: “The story of Nishaanchi is brought to you by the most hopelessly film director, Anurag Kashyap.” It’s both a jab and a wink. Nishaanchi also carries the weight of anticipation, especially as Kashyap’s last directorial venture, Kennedy, starring Rahul Bhat and Sunny Leone, has yet to see a release despite premiering at the 2023 Cannes Film Festival.
In a candid interview with The Hollywood Reporter India, Anurag Kashyap expressed his frustration: “I have made five films that are lying unreleased. Where is Kennedy? And whose hands is Kennedy in? It’s in the hands of some people who’ve never made films before. People who made Kennedy in the studio are all gone. And now, the people who are there, the directive given to them is to up the share prices, generate profits, cost recovery… That’s all there is. Nobody is interested in films. It doesn’t matter if Kennedy went to Cannes; it doesn’t matter if it had such a massive reception at festivals. Forget outside India, they’ve seen the reception in India, but where is the film?”
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