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If you look closely at Hansal Mehta’s filmography, there is what one could describe as a Muslim trilogy: Shahid, Omerta and Faraaz. As hard-hitting and politically incisive as these films are, they also deal with subjects that are risky to tackle in today’s socio-political climate, especially Omerta, which chronicled the life of terrorist Omar Saeed Sheikh. Hansal recently, in an exclusive conversation with SCREEN, opened up about how difficult it was to make a film like Omerta and the battles he faced with censorship, with the CBFC demanding multiple cuts. In a particularly acrimonious phase of these negotiations, he found an unlikely ally in filmmaker Vivek Agnihotri.
Recalling a deleted scene that the Censor Board strongly objected to, Hansal said, “There was a scene where the Indian National Anthem is playing in the jail. He’s (Omar) in jail, it’s Independence Day, the entire jail is there, the flag has been hoisted, the National Anthem is on. And this guy has taken off his pants and he’s peeing in his cell. He hasn’t gone out, he’s peeing inside the cell. So, you see his butt, and you see him peeing.”
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Hansal was in the US shooting when the screening took place, and his son Jai Mehta attended on his behalf. “I was in the US, shooting Simran, when this screening happened. So Jai, my son, went for the screening. He said, ‘You know, Vivek Agnihotri is there, all these guys are there.’ And he said Vivek Agnihotri fought with the other members. He was on the revising committee, and he ensured that there were only two cuts.” Hansal added that he even expressed his gratitude. “So I even thanked them. I said, ‘Yeah, thanks.’ Otherwise, they had asked for multiple cuts in the film.”
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