Gulzar's Aandhi (1975), that marks its 50th anniversary today, may appear to be a political drama, but it is truly about love and separation. The film, featuring the captivating performances of Suchitra Sen and Sanjeev Kumar, tells the story of a woman who becomes a politician while grappling with the remnants of a broken marriage. With its nuanced storytelling and a hauntingly beautiful soundtrack composed by RD Burman, Aandhi remains a poignant reflection on love, sacrifice, and the price of ambition. In an exclusive interview, Gulzar opens up about Aandhi. Gulzar Saab, what does Aandhi mean to you? It means many things. But if you are trying to be clever about my film Aandhi then let me tell you it remains one my favourite films. I am not too fond of some of what I’ve directed. Which ones do you not feel happy about? I am not telling you that. But Aandhi ranks really high, it is among the films where I made the least mistakes. It was said it was based on the life of Mrs India Gandhi? Bilkul nahin! I am surprised you are asking me this. Aandhi was never meant to be Indiraji’s story. But when people started spreading the rumour (that it was Mrs Gandhi’s story) the film was banned in its 23rd week from theatres. How did you get it back into theatres? We were asked to add a dialogue where the politician says she admires Mrs Gandhi. We did the needful and the film was back. ALSO READ | Gulzar’s Aandhi is not just ‘that film on Indira Gandhi’, Sanjeev Kumar-Suchitra Sen explore how lack of ambition can ruin relationships Interestingly Sanjeev Kumar who played the politician’s husband won the Filmfare award , but Suchitra Sen didn’t? Sanjeev always grumbled that I cast him as an old man: Parichay, Mausam and Aandhi. Ironically he was never destined to become old in real life. I think the only time you cast him as young was Namkeen and Angoor? His other quibble was that I always gave the better parts to the heroine in my films. But look at the recognition Aandhi got him! When I offered him Aandhi, Sanjeev said, ‘This is Suchitra Sen’s film through and through. What will I do in it? Tu mera dost hai ya dushman (Are you my friend or foe)?’ What was it like working with the enigmatic Suchitra Sen? I called her ‘Sir’. Contrary to people’s perceptions, she was an extremely warm and friendly person. Some of her best works were in Hindi: Hrishida’s Musafir, Asit Sen’s Mamta, Raj Khosla’s Bambai Ka Babu. You may add my Aandhi to this list. I feel Uttam Kumar and Suchitra Sen were not given due recognition.I adored and respected her. But she had the right to choose her friends. Surely she was justified in keeping away from every Tom, Dick and Harry. She’s the only example of such quiet dignity in showbiz; that's why the media compared her with Great Garbo. Why did you call her Sir? I’ll explain. During the shooting of Aandhi she started calling me Sir. Everyone in Kolkata calls her Madam. Since I’m her junior, I requested her not to call me Sir. But she insisted and we always conversed in Bengali. So I called her Sir and she calls me Sir. How did Aandhi happen? The whole project came to me in a package. I was told by producer J. Om Prakash to make a film because Sanjeev was very keen to work with Suchitra. I was made to hear a story by the well-known writer-director Sachin Bhowmick. It was a run-of-the-mill suspense story. I wondered aloud, ‘Why bring THE Suchitra Sen all the way from Kolkata for this film when this could be done by any actress in Mumbai?’ Sachin Bhowmick readily agreed with me. Then we started searching for another story. J Om Prakash asked me to suggest a story. I narrated the idea of Aandhi to him. Nobody had made a film on a powerful female politician. How did you convince her to accept Aandhi? Aandhi was one of her rare Hindi films. Her other famous film is Asit Sen’s Mamta. Three years before Aandhi, I had gone to Suchitra Sen with another script for producer Sohanlal Kanwar. She suggested some changes. I refused, and left. When I went back with Aandhi to Kolkata, she said, ‘This time I won’t make any suggestions’. I said her suggestions were most welcome. She rewarded me with such a lovely smile. She loved the story of Aandhi and she offered me cold milk. That remained a ritual between us. We were all outdoors on the outskirts of Bangalore. Rakhee (Gulzar’s wife) was also there. I’ve photographs of my daughter Meghna in Suchitra Sen’s lap. Her daughter Moon Moon was a child then. It was an experience of a lifetime to work with her. After the film was complete, it was not possible for me to go to Kolkata and not visit her. During her final years, she spent most of her time at the Aurobindo Ashram in Pondicherry. She lived in seclusion. The music of Aandhi is iconic. I agree. Do you know "Tere Bina Zindagi se" was originally a Durga Puja tune? I heard Pancham recording it in Bengali, and immediately started writing the lyrics in Hindi and Urdu. If you remember, the song stops midway for a conversation between Suchitra Sen and Sanjeev Kumar. Pancham (RD Burman) was upset about that. In the song "Iss mod se jaate hain", he wanted to know what nasheman meant. He wasn't the only one, even Sanjeev wanted to know what it meant.
