The bare,black stage is dimly lit by pale yellow lights. In one corner of the stage,sit three musicians with a tabla,a harmonium and a daphli. Two singers one turban-clad shahir and a female singer come on stage and start singing praises for the great Maratha ruler,Shivaji Maharaj. The sprightly discourse is interrupted when a police officer walks in and asks the performers to scatter,as there is some tension in the region regarding the history of Shivaji and the Maratha empire. The shahir,in turn,asks cheekily if it is acceptable to sing about the historian who wrote the history of Shivaji. Looking confused,the police officers agrees doubtfully. They then start singing about a historian who is writing Shivacharitra,an account of the life and times of Shivaji Maharaj.
This play,written more than seven years ago,was first staged only a few weeks ago in Pune. Retitled as Shivacharitra Ani Ek,the original play has been reworked and divided into two acts Act I being a condensed version of the original play written by noted Marathi writer and philosopher Dr Sadanand More,and Act II by Pune-based writer and Sahitya Akademi Yuva Puraskar-winner Dharmakirti Sumant. Sunil Sukthankar,who has directed several noted Marathi films such as Nital,Devrai and Doghi,is making a comeback in theatre after two decades,in the leading role in Shivacharitra Ani Ek.
Staged in Pune on Friday,the play
revolves around a Brahmin historian who decides to write about the life of Shivaji. It was written in the context of the attacks on the Bhandarkar Oriental Research Institute in Pune in 2003,
by a mob of self-styled Maratha extremist youth squad, says Sumant,who
is currently pursuing a scriptwriting course at Film and Television Institute
of India in Pune.
Reports say that the vandalising mob was reacting to the help provided by the institutes staff to Western writer Dr James Laine,who discussed the telling and retelling of stories about Shivajis parentage and life in his book. The mob had also damaged thousands of manuscripts and attacked a Sanskrit scholar who had explained some Sanskrit references to Laine. The incident provoked widespread reaction and many writers were disheartened to continue their works in this field.
The project germinated in Pune University when my friend Alok Rajwade won the Damu Kenkre scholarship,which is given to young and innovative directors. While looking for a new play,Alok came across Shivacharita, says Sumant.
He says that Act II was added to capture the evolutionary process that the cast and crew went through while working on the plot.
The first act revolves around an erudite historians script being destroyed by extremists,who think his version of the story of Shivaji is biased because he is a Brahmin and Shivaji was a Maratha. Act II delves into introspection by the actors who come on stage as actors,thus creating an illusion of a play within a play.
Directed by Rajwde,the 100-minute play also encompasses several powadas and a rap number. Sumant,who is happy with the reception of the play,now informs ecstatically that Shivacharitra Ani Ek has been selected for the Pratibimba Theatre Festival to be held in August at National Centre for Performing Arts in Mumbai.