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Pune team documents Kashmir’s endangered craft of building houseboats

While Srinagar’s lakes are increasingly threatened by climate change and siltation, the future of houseboats is closely tied to the life of the lake itself.

The completed hull of a houseboat being pushed into the water. Photo credit: Sayali Athale / Anto GlorenThe completed hull of a houseboat being pushed into the water. (Photo credit: Sayali Athale/Anto Gloren)

From a ban on the construction of new houseboats since 1988 and a dip in the number of craftspersons to increasing difficulty in sourcing deodhar, which is required to make these vessels — this quintessential symbol of a tranquil Kashmir Valley is drifting into history as a lost item of Indian heritage.

Before the ageing craftspersons and their indigenous knowledge disappear, a team of researchers from Pune carried out a year-long documentation project that treats the Valley’s boat-building traditions as a heritage craft practice.

For centuries, the tradition of making boats shaped the region’s culture and character. Houseboats are made from deodhar, which has become increasingly difficult to source due to the depleting forest cover.

Nearly a year after the team started documenting this craft, master craftspersons and their teams were recently felicitated at the School of Designs in Srinagar in the presence of the director of Jammu & Kashmir’s Department of Handicrafts.

Funded by the British Museum’s Endangered Material Knowledge Programme, this documentation project sheds light on how the network of lakes and rivers that make up the Valley gave rise to the construction of floating dwellings.

The study is led by Sayali Athale and Anto Gloren. The other members of the team are Reyan U Rafiq, an interpreter from Srinagar, and researchers Ashutosh Chowhan and Anubhav Sutar from Pune. Gloren and Athale, both architects and woodworkers, have been focusing on timber in building for a while and visited the Valley a few times.
“Kashmir has an amazing range of craftsmanship, including boat building. The shikara even has a GI tag (a Geographical Indication tag, which is a form of intellectual property protection), but the craft of constructing houseboats has never been documented. Since this practice is now endangered, we felt it necessary to help document it,” says Gloren.

For centuries, the tradition of making boats shaped the region’s culture and character. In the 19th century, these floating houses, called doongas, started being used for tourism — resulting in the well-oiled myth that the British invented houseboats.

“The houseboat has evolved from several variants, and the doonga was the last of its indigenous lineage. The existence of doongas has been recorded since the early 18th century. Yet, in popular narrative, the credit for the invention of the houseboat is given to its late 19th century British patrons. This misrepresentation of the houseboat as being an English invention and not an evolution of the local doonga has meant that it is seen as colonial heritage rather than a local tradition,” says Athale.

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For centuries, the tradition of making boats shaped the region’s culture and character. For centuries, the tradition of making boats shaped the region’s culture and character.

“The houseboat is perceived as an import serving tourists, and the history of the communities of local people dwelling in boats before the arrival of the British is often forgotten. Through our research, in tracing its predecessors, we hope to also influence this narrative and help redirect it for the future generations,” she adds.

Due to increasing pollution of lakes, the construction of new houseboats was prohibited in 1988. Before its ban, there were thousands of houseboats on Dal and Nigeen lakes, and the Jhelum. Fewer than 750 houseboats remain today. While Srinagar’s lakes are increasingly threatened by climate change and siltation, the future of houseboats is closely tied to the life of the lake itself.

“Due to the limitations, the number of craftsmen with the specific skill of houseboat hull construction has reduced over the last 35 years. With the loss of another craftsman in January this year, only four senior craftsmen remain on record who possess this knowledge. While their sons have assisted them in constructing houseboats, their primary professions are not houseboat building. With the passage of these senior craftsmen then, it remains to be seen if the knowledge tradition will be continued,” says Gloren.

Houseboats are made from deodhar, which has become increasingly difficult to source due to the depleting forest cover. Forest policies also do not permit harvesting of local timber. Trees that are felled from disease or natural disasters or ones that fall naturally are auctioned by the forest department.

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“Given their low quantities, this wood is expensive and often unaffordable for houseboat owners. Additionally, the most important structure of the houseboat, the pasch, which are on both sides of the hull, are to be made from a single piece of wood 50-60 feet long. Such long pieces of wood are increasingly difficult to find. Thus, the practice of construction in deodhar itself is constrained,” says Athale.

In the meantime, houseboats have turned into a vehicle for tourism. Only locals remember that the houseboat’s ancestors, including the doonga, were, historically, a part of everyday life, and important for the Valley’s trade and commerce.

To document the tradition of boat building in the Valley, the team, first, got in touch with the community of boat builders — only to come across a modern impediment.

“At a time when craftsmen were interviewed, often by social media users, they were sceptical about the study’s earnestness, although they did entertain us with enthusiasm,” says Gloren.

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After a year of working with the same people, the team managed to build trust, which led the artisans to share important details of boat building.

“Master craftsmen Ghulam Ahmed Najar, his brother Mohammed Subhan Najar, both in their 60s, and their young apprentice, Adil Basheer Penchoo, have assumed the role of teachers. They allowed us to film them working, and explained details. We met wasta (a master craftsman in Kashmiri) Abdul Khaliq during the first week of our study, but lost contact with him. We visited his workshop a few months later to interview him. We also bumped into another craftsman, Mohammad Yusuf Kahwa, rather serendipitously while at a market in Srinagar,” says Athale.

Their documentation shows how the houseboat, the doonga and its cargo version, the bahast, were all constructed using deodhar. A reduced version, the sand boat, is now constructed using imported silver oak. “While the life of a deodhar boat is around 60 years, a silver oak boat will last only a few seasons,” says Gloren.

The team was able to secure rare material in film, drawing and oral recordings because they saw a boat being built. “This happened because seven houseboats were gutted in a fire in 2022 and special permission was granted by the Central government to rebuild them. Their reconstruction was probably the last opportunity to document this process. We have captured it in video, drawings and oral narration… so that it can be revived by the future generations of Kashmir in case it is lost now,” says Athale.

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Released in 2023, a new policy on houseboats permits minor repair of existing houseboats.

“Through the ups and downs in the local events and resultant fortunes of the people, their love for handwork remains inspiring to study. They find hope and courage through their hand work and we are thankful that we had the opportunity to support this in some way,” says Gloren.

Dipanita Nath is a Senior Assistant Editor at The Indian Express, based in Pune. She is a versatile journalist with a deep interest in the intersection of culture, sustainability, and urban life. Professional Background Experience: Before joining The Indian Express, she worked with other major news organizations including Hindustan Times, The Times of India, and Mint. Core Specializations: She is widely recognized for her coverage of the climate crisis, theatre and performing arts, heritage conservation, and the startup ecosystem (often through her "Pune Inc" series). Storytelling Focus: Her work often unearths "hidden stories" of Pune—focusing on historical institutes, local traditions, and the personal journeys of social innovators. Recent Notable Articles (December 2025) Her recent reporting highlights Pune’s cultural pulse and the environmental challenges facing the city during the winter season: 1. Climate & Environment "Pune shivers on coldest morning of the season; minimum temperature plunges to 6.9°C" (Dec 20, 2025): Reporting on the record-breaking cold wave in Pune and the IMD's forecast for the week. "How a heritage tree-mapping event at Ganeshkhind Garden highlights rising interest in Pune’s green legacy" (Dec 20, 2025): Covering a citizen-led initiative where Gen Z and millennials gathered to document and protect ancient trees at a Biodiversity Heritage Site. "Right to breathe: Landmark NGT order directs PMC to frame norms for pollution from construction sites" (Dec 8, 2025): Reporting on a significant legal victory for residents fighting dust and air pollution in urban neighborhoods like Baner. 2. "Hidden Stories" & Heritage "Inside Pune library that’s nourished minds of entrepreneurs for 17 years" (Dec 21, 2025): A feature on the Venture Center Library, detailing how a collection of 3,500 specialized books helps tech startups navigate the product life cycle. "Before he died, Ram Sutar gave Pune a lasting gift" (Dec 18, 2025): A tribute to the legendary sculptor Ram Sutar (creator of the Statue of Unity), focusing on his local works like the Chhatrapati Shivaji statue at Pune airport. "The Pune institute where MA Jinnah was once chief guest" (Dec 6, 2025): An archival exploration of the College of Agriculture, established in 1907, and its historical role in India's freedom struggle. 3. Arts, Theatre & "Pune Inc" "Satyajit Ray, Ritwik Ghatak were not rivals but close friends, says veteran filmmaker" (Dec 17, 2025): A deep-dive interview ahead of the Pune International Film Festival (PIFF) exploring the camaraderie between legends of Indian cinema. "Meet the Pune entrepreneur helping women build and scale businesses" (Dec 16, 2025): Part of her "Pune Inc" series, profiling Nikita Vora’s efforts to empower female-led startups. "How women drone pilots in rural Maharashtra are cultivating a green habit" (Dec 12, 2025): Exploring how technology is being used by women in agriculture to reduce chemical use and labor. Signature Style Dipanita Nath is known for intellectual curiosity and a narrative-driven approach. Whether she is writing about a 110-year-old eatery or the intricacies of the climate crisis, she focuses on the human element and the historical context. Her columns are often a blend of reportage and cultural commentary, making them a staple for readers interested in the "soul" of Pune. X (Twitter): @dipanitanath ... Read More


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