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This is an archive article published on March 25, 2009

Keep a watch

This is a story about watchmen—not the pot-bellied ones we encounter at night at our buildings,snoring in their seats,but superheroes who keep a watch on mankind in a Cold War world in 1985 America.

The big-screen version of Watchmen,a cult graphic novel,

revives the threat of Doomsday

This is a story about watchmen—not the pot-bellied ones we encounter at night at our buildings,snoring in their seats,but superheroes who keep a watch on mankind in a Cold War world in 1985 America. Times then were critical and Doomsday was only a matter of time with the clock racing away dangerously to a bloody finality. Well,that’s what the graphic novel by Alan Moore and Dave Gibbons,published by Diamond Comics in 1986 and ‘87,first serially,and then in a single volume,wanted us to believe. It inspired a film which even borrowed the title of the series and will release in India this Friday.

The graphic novel had found a fanbase in a generation which had grown up with the Cold War,the Vietnam War and a nuclear arena race in a bi-polar world. Even now it continues to generate huge interest in all those who swear by superheroes or graphic novels. For Tanvi Sharma,a 26-year-old graphic designer,“Watchmen is huge for comic-book collectors. I’m waiting for the film’s release.”

As expected,the comic book Watchmen as well as the film revolves around the personal development and struggles of the protagonists—a typical feature with all superhero stories—with a probe into the murder of a government sponsored superhero acting as a catalyst. In due course,the superheroes encounter a plot to avert a nuclear war by killing millions of people. The writers Moore and Gibbins chose a bloody path to drive home the mood of an era,generally of despondency.

Though the writers are loved by Watchmen fans,it’s the director Zack Snyder who has sparked a renewed interest in its celluloid version. “Snyder did amazing work with the film 300 though the graphic novel on which it’s based was not as edgy,” says 24-year-old Purabi Sanyal,who works for an NGO.

Management exec Lalit Surin,27,is fascinated by the book’s enduring characters. “I’m eager to see the screen potrayal of Rorschach,though I also like Dr Manhattan and Nite Owl II,” he says.

Often regarded as a ‘seminal text for the comic book medium’,there have been several attempts to film the novel before Snyder came into the picture. The main task before Snyders was to live up to the expectation of the cult status of the book,and perhaps give it a new celluloid interpretation in a 21st Century world,ridden with terrorist attacks.

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Aided by Malin Akerman,Billy Crudup,Mathew Goode,Carla Gugino and Jackie Earle Haley,who lent their voices to this bloody saga,it is now for the strong-hearted comic book fans of India to determine the fate of a movie as Snyder stirs up a cocktail of violence and sex.

Alaka Sahani is a prominent film critic and journalist based in Mumbai. With a career spanning over two decades, she has established herself as one of India’s most authoritative voices in cinematic journalism, known for an analytical approach and insights that transcend the standard cycle of celebrity journalism. Expertise & Accolades In 2014, Alaka was honoured with the National Film Award for Best Film Critic. Her Swarna Kamal (Golden Lotus) citation specifically lauded her for "highlighting facets of cinema beyond glamour and gossip" and for her ability to delve into the contemporary relevance of iconic filmmakers. Her commitment to journalistic integrity was further recognised in 2019 with a Special Mention at the Red Ink Awards for her investigative feature, 'In Search of a Star'. Her article titled 'People Like Us', published in The Indian Express on March 27, 2022, was shortlisted for Red Ink Award, 2023. Global Industry Leadership Alaka’s expertise is sought after by major international and domestic film bodies: Golden Globes: In 2025, she joined the international voting body for the 83rd Annual Golden Globes. National Film Awards: She served on the prestigious jury for the 68th National Film Awards, helping select the finest contributions to Indian cinema. Global Perspective: Her work consistently bridges the gap between commercial Bollywood A-listers and emerging independent talents, offering nuanced insights into both Indian regional cinema and international film trends. Focus & Vision Beyond the screen, Alaka is a dedicated observer of Mumbai’s vibrant theatre scene and the historical evolution of the moving image. Through her long-form articles and deep-dive interviews, she continues to challenge "tried-and-tested" templates, providing readers with a deep understanding of the artistic and systemic workings of the Indian and global film industry. ... Read More

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