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This is an archive article published on July 1, 2013

Under the Archlights

The seventh “Punjabi Rangmanch Utsav” is all set to unfold an array of new expressions

It’s his passion to take Punjabi theatre to new heights and give its audiences brand new experiences that gives Kewal Dhaliwal the drive to experiment and express with complete freedom. According to him,“It comes from the courage to dream,’’ say Amritsar-based Dhaliwal,theatre director,actor and anchor of the group Manch Rangmanch. Dhaliwal’s theatre group is a platform for intellectual exchanges,an institution dedicated to social change and a destination for artists from across the country to attend workshops,teach and perform. Dhaliwal,who started his career with Gursharan Singh and then moved to NSD,is all set to showcase various plays in the seventh edition of “Punjabi Rangmanch Utsav” which begins on July 2. The five-day festival is designed to bring to the fore Dhaliwal’s philosophy of total theatre,one that combines street,mime,modern,biographies,film scripts and painting.

“To create something that inspires the audience and me is the idea,so we have a festival that will give a chance to people from across the region to view plays that have a great script,new theatre techniques and actors who create their own idioms,’’ adds Dhaliwal,who has more than 150 productions to his credit and is consistently working with people all over the country to develop Punjabi theatre and staging festivals.

This year’s festival will feature five productions,four directed by Dhaliwal and one by Partha Banerjee. The festival will open with Banerjee’s Othello. The reason for opening with Shakespeare’s tragedy,adds the director,was simple. “It’s a play that’s replete with exquisite poetry,rich imagery,with every scene relevant to the central issues,with an intellectual beauty that’s incomparable,something like the character of Desdemona,’’ says Dhaliwal.

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Punjabi playwright SN Sewak’s play titled Kabir will bring out the rational philosophy of the Indian saint,who fought to get rid of a society of superstition,caste prejudices,false ego,blind faith and illogical behaviour. The play,adds Dhaliwal,strives to touch the common man’s inner chord. “Various theatrical devices have been used to highlight the teachings of Kabir,which are more relevant today than ever before,’’ says Dhaliwal.

Ruke Hoye Yatharth (Frozen Realities) by Canadian Punjabi writer Ravinder Ravi was written as a curtain raiser for a main play,and later developed as a full-fledged play. The play,which will be staged at the festival,focuses on modern man,who is in a state of indecision and still at a crossroads. Time,reality,logic,action seem to have frozen his existence. The message of global consciousness and the need to arm ourselves with meaningful,radical ideology are the cores of the play.

Adhi Raat Dupehar (Noon at Midnight) is a play in verse. In this production,the playwright Ravi has projected the universal character of the rebel spirit that empowers human beings to be optimistic and realistic at the same time. It also talks of the search of identity and considering it a constant endeavour. On the last day of the festival,Dhaliwal will experiment with five stories on stage and give them his signature touch to weave the varied themes to create a dramatic effect.

The plays are on from July 2-5,at 6.30 pm at Virsa Vihar

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