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This is an archive article published on August 21, 2009

Iron-clad logic

Gujarat’s ban of the Jinnah book reveals a dangerously illiberal reflex

He is considered the architect of the modern India,no one can show him in bad light,” said Jaynarayan Vyas,the Gujarat state spokesperson,about Sardar Patel to justify the ban of Jaswant Singh’s controversial book Jinnah: India-Partition-

Independence. Singh’s telling apparently stains Patel’s steely reputation,and by extension,bothers all those in the BJP who have moulded themselves in Patel’s image,from Advani to Modi. Rather than a patriotic force of nature,if Patel is presented as someone open to compromise and even canny subterfuge on the matter of an inevitable Partition,that puts the skids under the BJP’s attempt to appropriate him.

But whether dictated by party pieties or political gain,banning a book is inexcusable. It’s not just Gujarat,of course — in recent years,this illiberal streak has surfaced countless times over matters of art and representation,and it

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inflicts a special damage when it prohibits us from examining the gnarls of the past that has produced us. In India,we like our historical figures super-sized and one-dimensional. We have processed the trauma of Partition by clearly assigning roles to its leading players — Jinnah’s malevolent ambition contrasted with Nehru’s or Sardar Patel’s doughty crusade for a unified India. Any writing that challenges that stick-figure school of historiography is met with outrage and denial. Singh’s book is purportedly another view of Jinnah,and one that also casts a large portion of responsibility on Congress manoeuvrings,on the Nehru-Jinnah competition and Patel’s role. In any case,questions of scholarly rigour or controversial hypotheses can be no basis for bans. But certainly,the idea that Jinnah alone might not have been solely responsible for Partition has been stated before,by writers from Maulana Azad to Ayesha Jalal. Partition was a formative moment,and a moment of rupture — and subsequently,both India and Pakistan have tried to tell the story in ways that evacuate it of its messiness. But to understand an event like that historically is to have a handle on its complexity,its moral ambiguities,and the varied motives of its lead actors.

Faced with an unpalatable thought,the Gujarat government’s reflex was to ban and proscribe. Only dysfunctional,nervous societies feel threatened by inquiry,and once the state starts deciding which ideas are permissible,we are indeed “entering a very,very dark alley”.

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