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This is an archive article published on June 7, 2006

The cruise of the canary

But in the 1958 Sweden World Cup Brazil’s impact was seismic. Thanks to grainy black-and-white images still replayed on TV today, the aftershocks of a goal scored in the final by a 17-year-old named Pele, a spindly unknown, continue to deliver their timeless thrill

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The first Brazilian soccer superstar was the green-eyed, curly-haired Arthur Friedenreich, who scored the winning goal in a celebrated 1-0 victory over Uruguay in 1919. Racial stereotypes — blacks are more graceful, say, or whites more tenacious — break down.

Ask any Brazilian who, in terms of pure skill, was the greatest Brazilian player ever, and chances are he’ll be torn between the competing claims of the brown-skinned Garrincha and the blond Zico.

All this would be of merely anecdotal interest, however, were the Brazilians not so darn good. For the first six decades after the arrival in 1894 of soccer’s first evangelist in Brazil, a handlebar-mustachioed British gent by the name of Charles Miller, Brazilian soccer made few waves beyond Latin American shores.

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But in the 1958 Sweden World Cup Brazil’s impact was seismic. Thanks to grainy black-and-white images still replayed on TV today, the aftershocks of a goal scored in the final by a 17-year-old named Pele, a spindly unknown, continue to deliver their timeless thrill.

What Pele did no one had ever seen before. Wearing the clumpy boots of the era, he flicked the heavy leather ball used in those days over the head of a towering Swedish defender, spun around him, got to the ball before it touched the ground and drilled it, on the volley, into the net.

Brazil also won the next World Cup, held in Chile. This time Pele was out injured most of the tournament and Garrincha was the star of the show. The Uruguayan writer Eduardo Galeano says of Garrincha, in a lyrical little book titled “Soccer in Sun and Shadow,” that “in the entire history of football no one made more people happy.”

Partly deformed from birth by polio (one leg was shorter than the other and both were bent like bows), he possessed such genius with a ball at his feet that each game he played became, as Galeano writes, “a circus … a party.” Clown and juggler at the same time, he entrenched the myth — so much a part of the Brazilian legend — that in his country people play soccer less for victory than for fun.

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Brazil’s apotheosis, and Pele’s, came in the 1970 World Cup in Mexico. The consensus is absolute among soccer’s intelligentsia that this was the greatest team ever to grace the game. Some debate lingers as to who was the greater player, Pele or Diego Maradona (who would win the World Cup with — or rather, for — Argentina in 1986, also in Mexico). But no one questions the pre-eminence — the peerless combination of flamboyance and effectiveness — of that 1970 Brazil team, with its supporting stars like Jairzinho, Rivelino, G‚rson and Tostao.

A lean period followed: it would be 24 years before Brazil won the World Cup again. But such was the power of the spell cast by that triple-winning Pele team that the legend not only remained alive but, as legends do, flourished.

In 1994, led by Romrio, Brazil resumed its dominance by winning the World Cup in the United States. Brazil lost in the final against France in Paris in 1998, but then won again in Yokohama in 2002 as the unstoppable onslaught of “the three R’s” — Rivaldo, Ronaldo and Ronaldinho — swept all before them.

This time around Brazil are again the favourites to win, on rational as well as sentimental grounds. A 4-1 crushing of Argentina (a two-time World Cup winner and always among the favourites) in a tournament in Germany last summer has lent force to an idea that has been building since 2002: that Brazil would not only win again, but do so in a fashion not seen since 1970.

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Whatever happens at this World Cup (and there are some who worry about the aging legs of Ronaldo, Roberto Carlos and Cafu), Ronaldo de Assis Moreira, an attacking midfielder known to everyone as Ronaldinho, has already done more than enough not only to keep the Brazilian legend alive but also to breathe new life into it.

JOHN CARLIN
(This is the final instalment of the beautiful game’s Brazilian flavours.)

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