Brian Lara is wearing dancing shoes at an age where people start thinking of walking sticks and bifocals. In most professions 36 is young but for sportsmen, it tends to be a time to look back, to reflect; if you’ve been successful, to pat yourself on the back, if there is promise unfulfilled, to acquire a complaining tone and look unkindly at the world. But Lara is marching on, with a song on his lips, his feet waltzing to a beautiful rhythm. It is also an age when people start discovering the safety of the crease. When a batsman leaves his crease, he is like a warrior in the open, away from the fort that promised to shield him. He is taking on the opposition but leaving himself open to subterfuge, to a wily plot. But Lara trusts his feet to take him to where he knows the ball will land, where he believes it will and where he knows it will; with genius belief and reality often merge. His assaults on Stuart MacGill and Danish Kaneria have been awesome; occasionally the bowler has slipped one through Lara’s arsenal but the damage done was well more than the cut suffered. Word spreads quickly on the cricket circuit and so, in the tsunami relief game at Lords, it was no surprise to see Anil Kumble bowling skidders at Lara. The great man backed his feet again, this time jumping back and delicately cutting to third man; so delicate that a patient might not have felt an incision. Lara is enjoying himself. The backlift still makes an extravagant arc, again like with the waltz to a spinner’s length an action that is fraught with danger in the hands of ordinary men. The more extravagant the backlift the greater the opportunity for a quick bowler to slip a ball through onto the stumps but Lara seems to relish this tactic; almost inviting the ambush and then showing he was waiting for it in the first place! There seems a new freedom now in Lara’s mind. The conflicts of a brilliant but slightly wayward youth appear to have been erased, the responsibility that seems to replace a smile with a scowl seems easily handled now. When the heaviness in the mind goes, it takes the heaviness in the feet with it.