Prasoon Joshi
Adman |
The only way he’d agree to work at a desk is with his feet up on it. Prasoon Joshi, national creative director, McCann-Erickson India, is sailing on yet another Coca-Cola cruise, having just wound up the Aamir-Ashutosh Punjabi thanda matlab Coca-Cola campaign. ‘‘Advertising should not be taken too seriously. It’s a profession that demands fun,’’ says Joshi, who shifted to McCann-Erickson seven months ago.
It’s tough to catch Joshi at work, since he’s either flying to some part of the country every week or is out of country once in every two months. But the travel is just a slice of the excitement, which comes with handling a few of India’s biggest brands — Coca-Cola, Perfetti and Durex, to name just three. Back from a trip to Delhi, Joshi is all excited about a campaign on AIDS for a project undertaken by BBC and Prasar Bharti. ‘‘It’s an ongoing project, and Rajeev Menon has shot two of the campaigns,’’ he adds.
Yet another Piyush Pandey prodigy, Joshi is all praises for the Ogilvy & Mather whiz. ‘‘All that I’ve learnt in advertising is from Piyush and Neil French,’’ he says. Comparison between O&M and McCann is inevitable. ‘‘O&M has a history of 70 years in India, while the Indian branch of McCann is merely six years old,’’ justifies Joshi whose move to the younger agency was propelled by Santosh Desai.
But there’s no method that can explain the chaos when deadlines loom large. ‘‘Even if you know your deadline date 10 days prior to the presentation, you’ll always end up working the night before,’’ explains Joshi adding, ‘‘But I don’t like stressing my guys out.’’ Joshi’s determination to renovate his office is a part of this de-stress process, since he hates cubicles, which seem to choke creativity. ‘‘I will use a lot of glass, so that people are not be cooped up in some corner of a cubicle, but observe the world around them,’’ he explains.
The creative head also has strong views about the culture of an ad agency. ‘‘This whole business is about people and relationships, so its culture is its working force,’’ he emphasises. But play doesn’t stop here. Amidst some cut-throat competition and clients who go for the jugular during presentations, Joshi juggles poetry.
‘‘My passion and profession feed on each other — there’s no harm if there’s a poetic touch to advertising and poetry could do with a bit of commercialisation,’’ says the man who penned the lyrics for Silk Route’s debut album Boond. Shubha Mudgal’s Abke Sawan and Man Ke Manjeere, followed and Joshi set the Bollywood ball rolling by writing the lyrics for Gaurang Doshi’s Aankhen. He’s just completed the lyrics for Kalpana Lajmi’s Kyon and an I-Dreams Production called Samay. ‘‘I have less time now,’’ replies Joshi who is into maximising his spare time, whether it’s in the car or while he’s waiting at some office. ‘‘If you love something you just find the time,’’ he reasons. Play on Joshi.