Red Carpet
This was, unquestionably, the surprise of the year. In Sankaran’s short stories, the locale is Bangalore, but the theme is more universal: the process of tradition and creativity somehow negotiating the other to coexist, however uneasily. Sankaran’s prose brings to mind Jhumpa Lahiri, but the comparison is still unfair. Sankaran manages to avoid many of Lahiri’s failings, those glib profiles and that tendency to over-sentimentalise.
Broken Verses
This can really be read as the third instalment of Shamsie’s Karachi series. It is set in a modern, 21st century Karachi that is bursting with state-of-the-art TV channels, but its subject matter is a few years older: the legacy of the Zia years. At so many points the novel appears a bit too pat, but taken together it is compellingly haunting.
Never Let Me Go
It finally did not get the Booker Prize, but Ishiguro’s chilling take on human cloning asks that eternal question: what does it mean to be alive?
Saturday
A Mrs Dalloway-ish take on a day in the life of a successful, happily married London neurosurgeon. That day, with a family reunion planned for the evening, is echoing with anti-war protests in the run-up to the invasion of Iraq. That day will demand answers on how to build empathetic bonds within families, within societies, and across cultures.
Brooklyn Follies
Where does one rush off today, in this busy, connected world, for refuge and forgetting? Auster, in an uncommonly tender novel, takes his escapist characters to the heart of Brooklyn.
Tokyo Cancelled
Travellers huddle together in an airport lounge and find new meaning in that eternal survival skill, storytelling.