THE World Social Forum (WSF) at Nesco Grounds in suburban Goregaon resembles a small town, a bizarre international village whose only industry is progressive politics. Stalls line the streets promoting every cause and issue from the oppression of Dalits to food security to the rights of the transgendered. But even when it’s not centrestage, one issue above all seems to be everywhere: Iraq. Pink flowers in their sunhats, a line of Japanese files silently through the middle of a packed press conference with Nobel Peace Prize winner Shirin Ebadi and the vice-president of Vietnam, Ngyugen Bihn. Between them they carry a 20-foot banner which reads: ‘‘Pull out US forces from Iraq; Stop sending Japanese troops.’’ After a seemingly pointless circuit of the room, they move on. At the Iraq Gallery—a space dedicated to artistic protest against the war, the anger, frustration and sadness over a war that these activists failed to prevent is given a sense of scale by a haunting 30-foot mural by a group of Swiss artists. Six-foot steel walls stand ready to be scrawled with their feelings. ‘‘The sentiment is more anti-American than pro-Iraq,’’ reckons Mamta Murthy an organiser of the exhibition. Networking with organisations like the Anti-War Coalition groups from Munidal Brazil, Africa Forum, Greece, Spain, the Phillipines and Thailand, Murthy found an entire virtual community protesting the Iraq war. Opposition to the war is in the genes of the disparate groups who’ve come to the World Social Forum, all of whom are now faced with the choice of what they do next—especially after after a tidal wave of protests worldwide failed to shock and awe Bush and Blair into stepping back from the brink.