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This is an archive article published on October 30, 2005

Hit and Miss

Deewane Huye PaagalT-SeriesAfter the commercially successful No Entry and Shaadi No 1, Anu Malik’s gone a little nuts. Why does he soun...

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Deewane Huye Paagal
T-Series
After the commercially successful No Entry and Shaadi No 1, Anu Malik’s gone a little nuts. Why does he sound like Bobby Darling with vocals digitised beyond recognition in Maar Sutiya? He’s sung six (including a remix) out of eight tracks and he sounds terrible even when there’s no digital OD in Meri Jane Jigar.

Tu Hai Tu Hai is a predictable hit by Shaan and Sunidhi—from a Savage Garden’s Animal Song-esque beginning, it moves onto a My Dil Goes Mmm-like sound in the chorus. The acoustic guitar works well in the sutradhar (narrator) tracks. A piece of advice: Only Big B can pull off the speaking parts like a dream. Granted Anu’s been Bollywood’s Daddy Cool for a while now, but this isn’t his cup of tea.

Rip-offs, on the other hand, are right up his alley. Which is why you have one of Kevin Lyttle’s dance numbers Turn Me On, which he passes off as Chalke Chalke. But this one

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too will catch on like a virus, considering the original was a monstrous hit.

Aisi Umar Mein is a seamless combination of three tracks by Shaan, Kunal Ganjawalla and Krishna. All three are quite boring, especially because of Sameer’s uninspiring lyrics.

Life, Ricky Martin
Sony Music
Sound like Life has mellowed Latino dancebuster Ricky Martin. This is the Livin’ La Vida Loca man’s first English release after five years and he doesn’t disappoint. The album kicks off with the surprisingly rockish yet minimalistic Till I Get to You.

Big names such as South Bronx rapper Fat Joe in I Don’t Care and half of The Black Eyed Peas in Drop it on Me add that sexy hip hop touch. In fact, the bass-heavy I Don’t Care was produced by Scott Storch who’s been a producer for the likes of dance sensation Justin Timberlake.

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Halfway through the album, and you’re itching for a tailored-for-Ricky raunchy number (read Shake Your Bon Bon), but you don’t feel let down when you don’t find one. Ricky’s truly managed to get some world feel to the album, recording it across Brazil, Egypt and, what do you know, India.

Some of the string arrangements were recorded in India, and the violin section in

Save The Dance sounds suspiciously like an interlude in a Jatin-Lalit track. For a change, the dhol isn’t overpowering in Rishi Rish’s Punjabi cut in I Don’t Care. Only classy, understated bhangra.

Certain dud notes like the old-time ballad Stop Time Tonight with work by Grammy-winning Latin popstar Jon Secada have crept into the album. But even if you don’t dig Ricky, you might want to check out the album. Less bump, more bang.

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