If you stayed close to the 13th century Sun Temple here, and were not too hot on heritage conservation, you could probably give this a try: have a chullah made for your kitchen from sculpted stones stolen from the monument. These are easily available, thanks to the slackness of the Archaeological Survey of India (ASI). In the villages surrounding Konark, there are plenty of such precious and pilfered stones. In some places, they lend a touch of history to local temples. In villages Kunja or Tribenishwara, they are used as pedestals for cracking and cutting wood, or simply to sit on. Konark is a crumbling edifice. Its magnificent celestial chariot and stone sculpture is fast turning into a colossal ruin. According to official estimates, 25 per cent of its sculptural embellishments, etched on inert stones, have been defaced by erosion and lost forever. The restoration work in some patches makes for a sorry sight. ASI officials say many of these figures are not captured visually. So a sequence of wall embellishments once lost is lost forever. Plain blocks of stone have been placed in the midst of intricate figures and moods, creating an incongruous visual impact. The scrappy restoration work is also evident in the ugly numbering on figures. The white paint has not been wiped off even after the repair. Several took turns to swing, trapeze-artiste like. Delicately balanced, the scaffoldings could have slipped any moment. But hardly anyone was concerned. The security staff — there are 50 employees at the complex, plus, since 1996, a posse of private security guards — looked the other way. As one of the attendants explained, ‘‘The scaffoldings have become part of the architecture, standing in some places for more than a decade. Many are rusted and can give way any moment. It is difficult to keep a watch on every one.’’ Even before the excitement of the glittering, gigantic pyramidal temple subsides, there is another ugly sight. A youth climbs up the wall of the jagamohana — the remaining standing structure of the temple — using delicate sculptures as ladder steps. He is identified as a monument attendant, attempting to scrub out small plants that have sprouted between cornices and wall openings. The waves of tourists arriving at Konark are quick to pick up the thread. Tired after a tour of the 35-acre temple, they rest against the temple walls, never mind the brittle sculptures. A practical problem for tourists is the trek from the bus stand to the temple — a kilometre of bare, barren pathway. On a scorching day, it can be torture. Worse is the fate of the guides at the heritage site. The base of a huge tree serves as their workstation. No shed, no chairs, no interpretation centre for tourists. Just 200 guides, each with his own idea of history. For the record, the ASI has approved nine guides, the state government has registered 29. The rest is quackery. The what to do list