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Film-maker Prakash Jha speaks on why he decided to move away from political thrillers in his latest stint as producer
After making socio-political blockbusters like Raajneeti,Apaharan and Gangajal,it is difficult to associate director Prakash Jha with a chick-lit film on an urban womans woes. But Jha is quick to shrug off stereotypes,as he turns producer for debutant director Alankrita Srivastavas film,Turning 30,which releases on January 14 next year. Why should I only have to make jhanda-garo films all the time? is his opening remark during our telephonic conversation before he catches a flight for Mumbai from Patna,This belief that I can only make socio-political films is not true. I make films based on my observations of society. So if there is some political issue that is topical and has a socio-economic relevance,I will make a film on it. In todays society women are taking on new roles and are struggling with different biases. Its a topic which interests me.
The light-hearted film deals with the apprehensions of a Mumbai-woman,Naina,who is grappling with heartbreak along with the despair of turning 30. Her crisis is compounded by problems at her workplace,that causes her anxiety and ultimately forces her to draw up a to-do list in order to blossom into a woman of a substance. The story has been conceived and written by Srivasatava,31,who worked on it for three years before shooting the film last year.
A protégé of Jha,Srivastava has been assisting the former on film projects right from the Gangajal days,including some of his lesser-known projects for TV. So it comes as no surprise when Jha saw the script,he agreed to produce it. There are many young scriptwriters who seek advice from me on their content. I occasionally mentor them. But Alankritas story had a contemporary touch to it, defends Jha,admitting that its a subject he would not have approached as a director otherwise.
The Rs 3.5 crore project was made with minimum creative input from Jhas side,who was busy preparing for the shoot of his next film,Aarakshan,which begins in earnest from January. People will realize that the directors own style and visual identity reflect in the film and it does not have a Prakash Jha label. I have not tutored her in this project, he says,adding that he always left Srivastava to her own devices,visiting the set only once and that too for just five minutes. I think I got a much better deal than I expected. I feel the film is like an independent work without the creative intrusions of a producer. Such freedom is rarely extended to a debutant filmmaker, chirps Srivastava.
Up next for Jha is Sudhir Mishras next venture,Yeh Saali Zindagi,for which he will be dealing with the post-production work. Besides,he is set to produce another small budget venture,Bike Meri Life,directed by one of his assistants,Anshuman K Singh. My production house has the capacity to produce a few small budget films a year. I have been doing that for some time now and hope to continue with that, he adds.
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