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An exhibition of posters at the Osians Cinefan festival tracked the transition of Bollywood
Beginning with the silent era when men acted as women in films like Dadasaheb Phalkes Raja Harishchandra,to the psychedelic magic of Dev.D,the Osians poster collection at the 11th Cinefan festival at Siri Fort was a visual crash course in Indian cinema. The exhibition,which ended on Saturday,was a journey from the 1930s to the present,through a series of posters,lithographic artwork and offset prints. Even the black-and-white lobby cards captured the classic era.
Another section paid tribute to the dancing divas of the 1960s Shammi Kapoor and Waheeda Rehman the bombshells of the 1970s and 1980sHelen,Rekha,Hema Malini and,of course,jumping jack Jeetendra. Mithun Chakraborty,however,was absent from the lineup.
The collection brought alive car chases between heroes and villains shot in the confines of the studio,and transported the viewer to a time when a rain-drenched Raj Kapoor looked deep into the eyes of the gorgeous Nargis Dutt. It also rolled in the period when the epic drama Mughal-e-Azam unfurled on screen,the grandiose sets,replete with charging elephants were frozen in time along with images of a long-haired Dilip Kumar romancing a cherubic Madhubala.
The central space in the hall was devoted to the angry young man manifested through Amitabh Bachchans films of the late 1970s and early 1980s. A rare image of Saeed Akhtar Mirzas Albert Pinto Ko Gussa Kyoon Aata Hai showed us a young Naseeruddin Shah,replete with youthful stubble and a prominent Adams Apple.
The surprise element of this collection was the set of three rare monochromatic prints of Junoon that captured Jeniffer and Shashi Kapoor with a stunning Nafisa Ali. A treat for connoisseurs.
Film buffs who missed the show or would like to own the posters have a second best option log on to http://www.osians.com or call (011)41743166 and order a catalogue to soak in the reel magic of Bollywoods dream factory.
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