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Deepa Bhatia may have been in the industry for close to two decades,but her dedication to her task remains the same as it was when she first started ¿she works from 8 to 5.

Deepa Bhatia may have been in the industry for close to two decades,but her dedication to her task remains the same as it was when she first started ¿she works from 8 to 5. “Once I am here,I don’t take a break for anything,not even for lunch,” says Bhatia,who is editing her husband Amole Gupte’s film Stanley Ka Dabba. “We are almost done. Right now we are holding screenings for different sections of audiences to gauge their reactions.”

Today not only is Bhatia one of the more respected film editors in tinsel-town,she has also directed her first independent project— a documentary called Nero’s Guests addressing the issue of farmer suicides. “I have always had a passion for alternate cinema. Editing films provides me with my livelihood,” she explains.

Documentaries are rare in India,but Bhatia was sure about her choice of genre and subject. “It was a very sensitive topic. Hence the thought of fictionalising it did not occur to me. One needed a very well-written script in order to not trivialise the issue,” she says. For 36-year-old,the inspiration to make this documentary film came from P Sainath,her professor at Sophia College,Mumbai,who was very involved with the subject of farmer crisis in India. “Sainath,who is the protagonist in the film,was a little hesitant initially,because filmmakers are known to make a mess of these subjects. But I started off by attending his talks and filming them. I sometimes visited him on certain free Sundays where we carried forward the discussion,” says Bhatia,who believes that the flexible approach she tookmade the filmmaking an enriching experience. Major portions of the documentary are shot in Maharashtra’s Vidarbha region. “We frequented the place many times and visited the same families. During the coarse of filming,there were three suicides in the area,” sighs the editor,who took five years to complete the project. “As a filmmaker,there are times when we forget the humanitarian aspect of the issue. But for me their personal loss always comes ahead of the film— it can always wait,” she says.

There were,however,a few positive moments that she brought back. “I was humbled by the strength and power displayed by certain people I met there. We always associate documentaries with boring cinema. But I have got encouraging feedback from students,whose perspective is very valuable,” explains the filmmaker,who has also launched DVDs of the same and also plans to show it on a news channel. “When we wrote Taare Zameen Par,most people told us that it wouldn’t work. Somebody needs to break the rules,” she exclaims.

Currently she’s editing Zoya Akhtar’s Zindagi Na Milegi Dobara. Once she is through with Akhtar’s film,she plans to begin work on her first fiction project.

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