Jeanneret and Chandigarh through the eyes of his protege

The first-person account unveils the multifaceted Pierre Jeanneret, showcasing his monumental contributions to Chandigarh’s architecture and his deep affection for the city. Beyond Chandigarh, the book explores lesser-known architectural gems in Punjab, broadening the scope admirably.

The personal touch emerges through anecdotes, revealing the close bond between the author and Jeanneret, offering inspiring insights into the qualities that endeared him to colleagues. Comparisons with Le Corbusier add an intriguing layer to the narrative.

The section ‘Passion reflects through the lens’ delves into a relatively unknown facet: Jeanneret and Corbusier’s passion and skill for photography. The exchange of letters between the two architects highlights Corbusier’s unwavering pursuit of perfection in photography, not just for documenting his works but also as a means of communication during the Capitol Project’s progress. These letters underscore the stark difference in personality and temperament between the two cousins.

Equally intriguing is Maristella Casciato’s foreword, which chronologically lists photographers visiting Chandigarh to document its early years. Does this shed light on the authorship of numerous uncredited photographs? It’s a question worth researching. Maristella’s account has inspired me to explore the archives at Isamu Noguchi’s Museum in New York for his Chandigarh photographs during my next visit.

Having grown up with Chandigarh, I’ve always marveled at the innovative design of Gurdwara Sector 19. The revelation that Sharma was the creative force behind the project, and drew his inspiration from a turban, surfaced only after reading the book. Recognising its uniqueness, I believe this building deserves heritage status and should be included in Chandigarh’s Enlisted Heritage. I am compelled to make a case for its nomination.

The vivid narration of the heartfelt tribute paid to Pierre Jeanneret, while submerging his ashes in Sukhna Lake as per his will, deeply touched me. Details in the ‘Homage’ section, such as Jacqueline transferring his ashes into a simple box crafted tenderly by Jeanneret’s old carpenter and their journey on the small boat “Rupar,” crafted by Jeanneret himself, were enlightening and previously unknown to me.

The suggestions for honoring Jeanneret are commendable, and such initiatives are already underway.

(Sumit Kaur is a former Chief Architect of Chandigarh)