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On Valentines Day in 2005,Rafiq Hariri,the Prime Minister of Lebanon,was driving down the roads of the capital city Beirut when a massive explosion shattered his motorcade. Hariri was killed,but the blast would resound for long after. Dozens of other assassinations followed,as well as investigations that were mired in a web of lies,deception,betrayal and intimidation. It could almost be The Godfather in real life, says British filmmaker Christopher Mitchell who has produced Murder in Beirut,which held its world premier at the festival of films on the Middle-East at the India International Centre in Delhi on November 20,the last day of the festival.
Documentary film buffs in India remember Mitchell for his 1997 film Mr Jinnah: The Making of Pakistan,which carried the only known televised interview of Jinnahs daughter Dina Wadia,and the more recent Super 30,about a successful educational programme in Bihar that coaches 30 students for the tough IIT competitive exam. Super 30 won Mitchell awards at the Indian Film Festival of Los Angeles and River to River Festival,Florence,and the filmmaker is now set to travel to Patna for a sequel. Mitchells films are,however,not available in India on DVD.
But,before his trip to Patna,the filmmaker presented Delhi with one of his favourite subjects films on the Middle-East,a region whose politics faze most Indians.
Just because there is one conflict after another in the region,we cannot pretend it is not going on. The festival is a crash course on whats happening in the Middle-East, he says. The festival,Zone of Conflict: Contemporary Documentaries on Cultural and Politics in the Middle-East comprised eight films,all being screened in India for the first time.
Even in the drama of political upheaval,there are emotions like power,ambition and betrayal, says Mitchell. Like the intriguing The Oath by American director Laura Poitras,which was screened on November 19. It tells the true story of Abu Jandal,the former bodyguard of Osama bin Laden and Salim Hamdan,a prisoner at Guantanamo Bay,Cuba. It is also a tale about loyalty, explains Mitchell. Chou Sar? (What Happened?) is fraught with trauma as Lebanese director De Gaulle Eid talks about how his parents,youngest sister and 11 other family members were gunned down. And the wittily named Fix Me is another autobiography director Raed Andoni has a headache. It is splitting and he cannot work. Incidentally,he is Palestinian and the film reveals the internal terrain of displacement and alienation that mimics the lives of thousands of Palentinians a sociopolitical headache. Any good documentary shows universal human emotions, adds Mitchell.
Thus as he reconstructed the story of Hariris assassination in Murder in Beirut,the audience watched rivetted. When one of Hariris closest ministers talks about how his car too,was subsequently bombed and how he survived,it was a story not many remembered from the newspapers. It was an important story and nobody had told it in film yet, says Mitchell.
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