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This is an archive article published on April 21, 2009

Grand feat

Anger can be a potent force for success. Two years ago,an angry Mahesh Manjrekar scripted Mee Shivaji Raje Bhosle Boltoy.

After his Shivaji act,the actor-director to go behind the camera for another Marathi film

Anger can be a potent force for success. Two years ago,an angry Mahesh Manjrekar scripted Mee Shivaji Raje Bhosle Boltoy. Motive: To make the Marathi manoos shed its “self-pitying attitude” and “stop blaming the outsiders” for its woes. To achieve that,he has resurrected the great Maratha hero—Chhatrapati Shivaji Maharaj—as the conscience of a middle-class Marathi man.

“The self-pitying Marathi manoos has been putting the blame on outsiders for their problems instead of doing something about it. To shake up this attitude,I required someone talking to them. Though Maharashtra has produced a number of great leaders,Shivaji Maharaj was the obvious choice as the horse-riding hero is cinematically most delightful,” says the actor-director,who plays the great warrior in this Marathi blockbuster.

Now,seated at a café overlooking Shivaji Park — Manjrekar’s home for the past four years—the filmmaker seems to be revelling in the film’s success. But while doing the film,he knew that playing the widely-revered Shivaji was a big risk. And putting Rs 3.8 crore in a Marathi film was an even bigger risk. “I knew,I will be facing hell if anything went wrong. But the good thing is that there is no documentary proof of how Shivaji conducted himself. So it was interesting to give his character a modern twist,” says Manjrekar about the portrayal of an up-to-date Shivaji.

Nearly a month after its release,it seems Manjrekar’s trick has worked. The film overtaken the Akshay Kumar-starrer 8X10 Tasveer’s earnings at the box-office by a huge margin; has got everybody talking; and continues to enjoy a successful run at theatres.

Its grand show has taken Manjrekar as well as the industry by a surprise. “We knew the film will do well,but never expected it to be such a big hit,” he says as dust storms cloud the nearby huge Shivaji statue. Unmindful of that he starts walking towards the installation—past the aspiring cricketers on the ground.

Considering the film’s message,it’s granted that it would draw political attention. Manjrekar says that though politicians agree with his views they may not support him. “Regional parties are the bane of national politics. When we have so many regional issues to deal with the national concerns are affected,” he says.

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Spurred by the success of Mee Shivaji Raje Bhosle Boltoy,he is scheduled to start shooting for another Marathi film,called Satra Saati,on June 9. “I’m all charged up right now. This film mocks the education system in a very subtle manner,” he reveals gleefully. With this,he will be back to wielding the director’s baton. Mee Shivaji Raje was directed by his assistant of 14 years,Santosh Manjrekar. “Santosh has been working with me since my first film Aai. I wanted to give him a break,” he adds. The maker of Astitva will return to directing a Hindi film after a while. “When I make a Hindi movie,I want the audience to come to watch the film and not stars,” he says.

However,for one of his most ambitious future projects,he wants Aamir Khan in the lead role. “Only he can do justice to it. It’s a very beautiful love story showing the central character’s journey from the time he was 30 years old till he is 65.”

Alaka Sahani is a prominent film critic and journalist based in Mumbai. With a career spanning over two decades, she has established herself as one of India’s most authoritative voices in cinematic journalism, known for an analytical approach and insights that transcend the standard cycle of celebrity journalism. Expertise & Accolades In 2014, Alaka was honoured with the National Film Award for Best Film Critic. Her Swarna Kamal (Golden Lotus) citation specifically lauded her for "highlighting facets of cinema beyond glamour and gossip" and for her ability to delve into the contemporary relevance of iconic filmmakers. Her commitment to journalistic integrity was further recognised in 2019 with a Special Mention at the Red Ink Awards for her investigative feature, 'In Search of a Star'. Her article titled 'People Like Us', published in The Indian Express on March 27, 2022, was shortlisted for Red Ink Award, 2023. Global Industry Leadership Alaka’s expertise is sought after by major international and domestic film bodies: Golden Globes: In 2025, she joined the international voting body for the 83rd Annual Golden Globes. National Film Awards: She served on the prestigious jury for the 68th National Film Awards, helping select the finest contributions to Indian cinema. Global Perspective: Her work consistently bridges the gap between commercial Bollywood A-listers and emerging independent talents, offering nuanced insights into both Indian regional cinema and international film trends. Focus & Vision Beyond the screen, Alaka is a dedicated observer of Mumbai’s vibrant theatre scene and the historical evolution of the moving image. Through her long-form articles and deep-dive interviews, she continues to challenge "tried-and-tested" templates, providing readers with a deep understanding of the artistic and systemic workings of the Indian and global film industry. ... Read More

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