Writing in Rhythm

This year’s edition of Antarang came to an end on Saturday with a riveting interaction with senior vocalist and musicologist,Prabha Atre. She shared many nuances of classical music as she answered questions put forth by vocalist Vikas Kashalkar. A representative of the Kirana gharana,Atre’s idea of classical music is not restricted to swar pradhan khayals and compositions. “I think as a researcher of music,I always try to look at the contemporary aspect of music. Every genre has something to offer,we need to look at music in a more balanced way,” she said.

A disciple of Pandit Sureshbabhu Mane and Hirabai Badodekar,Atre took up the study of classical music and completed her doctoral studies in sargam. “The credit for this choice goes to music critics. Many of them objected to the use of sargam in vocal music. This made me think about the different aspects of sargam and its use in performances. Sargam is used everywhere,in fact,it should be used more often.” Atre commented on the present format of music and said,”Music has become a visual art. The real meaning of surs and ragas is understood only when you close your eyes.”

As the interaction proceeded,an in-depth discussion on the various facets of classical music emerged. Questions were raised about ragas and thumris,and on the way musical literature has developed. Atre’s answers were measured responses,reflecting the maturity gained from years of experience. “Shastras need to be studied. But there is a need to standardise them. One sees different ideas being followed by different gharanas.This only leads to confusion.”

The vocalist is also known for her narrative on music. “Writing on music is complementary to performance. It brings clarity and precision in one’s thinking and action. Swaramayee is a compilation of some of the articles I have written.” The book received the Maharashtra State Government award in 1989. Her second book,Swaraalee,published in 1992,is also a compilation of her articles.