Written by Ruta Patil Set in the 1990s and presented in Hindi and Rajasthani, Papa Painter is a 70-minute performance that follows a small family from rural Rajasthan migrating to the city in search of a better future. Through the complex bond between a father rooted in his traditions and a son shaped by the city’s freedom, Papa Painter tenderly explores how migration transforms relationships and identities. Vijay Ashok Sharma, a Mumbai-based actor, writer, and theatre-maker, is known for intimate and socially resonant works such as Tipu Sultan ke Khwaab and Ilhaam. Papa Painter marks his second solo written play after Besharam Aadmi. His writing often reflects themes of masculinity, family, identity, and core relationships. The director, Ajeet Singh Pallawat, is a graduate of the prestigious National School of Drama and has acted in more than 35 plays. He also runs Jaipur’s Ujagar Dramatic Association. He has directed Kasumal-Sapno, an adaptation of 'A Midsummer Night's Dream' in Rajasthani, that has travelled across the country and won several accolades. Papa Painter traces the evolving relationship between a father and son, from the innocence of childhood memories to the emotional distance that often comes with growing up and pursuing one’s ambitions. The play tugs at heartstrings even as it subtly delivers a socio-economic message on the times we live in. “Papa Painter is about the silent bonds that hold Indian families together,” said Sharma. “It reflects the unspoken love and quiet sacrifices of parents; it's a story that should be watched especially by those who have left home to pursue their dreams. Through its heartfelt narrative, Papa Painter captures the bittersweet essence of the family stories that live quietly in our hearts," he said. The Expression Lab’s Grand Solo Festival – VI will feature Papa Painter, directed by Ajeet Singh Pallawat. Produced by Ujaagar Dramatic Association, the play will be staged on October 18 at The Box, Pune, at 6.30 pm.
