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For Deepti Naval,arthouse cinema stills wins over commercial cinema
Just like in her early years in the industry,Deepti Naval still prefers to take the road less travelled. I have a weakness for off-beat cinema, she confesses. What reinforces Navals weakness are her latest films,Memories in March and Bhindi Bazaar,and her directorial debut Do Paise Ki Dhoop Chaar Aane Ki Baarish. Naval is back on the silver screen after almost three years,and this time she promises a longer innings. Soon,she will also be seen sharing screen space with her favourite co-star of the 80s Farooque Shaikh in Hema Malinis Tell Me Oh Khuda. Farooque used to pull my leg then and continues to do it even now. He is one of the most talented actors ever, says Naval.
Navals choice of films speak of her proclivity to realistic characters and situations. She makes her directorial debut with a story about the intertwining lives of an ageing prostitute,her wheelchair-bound child and a gay song writer. In Bhindi Bazaar,she plays the role of a neglected wife,and in Memories that of a bereaved mother who has to come to terms with not only her sons death but also the fact that her son was gay. This role appealed to me as the film tackles the issue of homosexuality in a mature way, she says of Memories.
Memories,which released last Friday,has Naval playing mother after long. I have never wanted to play the mother of the Hindi screen. They all behave alike, she laughs. But after a scene in Shakti (2002),I have decided to keep my mind open. If I find a commercial film which provides me with a role where I can show off my histrionics,then I will do it, says the actor,seated in her neatly done up Versova pad.
Just like Naval,her terrace flat in Versova is simple but unconventional without any loud colours or ornate furniture. A bath tub converted into a centre table expresses her creativity,while the neatly labelled drawers in the kitchen vouch for her meticulousness. A bare white wall in her living room is her favourite space in the house. It is here that her day ends,watching a movie. I watch either an old Indian classic or world cinema. I just believe in the magic on screen. I get carried away,I laugh,I cry, she says. This is one aspect of my life,I hope that never changes.
It was this passion for films that had prompted Naval to come back to India from New York almost 30 years ago. When I came to Bombay in the 80s,I found commercial cinema inspid. Gone were the days of Bimal Roy and Gurudutt. Hence,I made a conscious decision of sticking to arthouse cinema. I was lucky to work with Sai Paranjpe,Gulzar,Hrishikesh Mukherjee and Jagmohan Mundhra, says Naval. This period saw her play a range of characters from the peppy Miss Chamko of Chashme
Buddoor to the meek Kamla. I just went with the flow then. But today when I look back,I feel I have worked in movies which are unforgettable, she smiles.
But surviving in the city was a struggle for the actress as well as many of her co-stars. We were living in constant penury. I started my career with a fee of Rs 6,000 for Junoon. When I later received a cheque of Rs 3 lakh,I thought I had arrived, she laughs.
Over the years,Naval has developed other interests such as poetry and painting. When I am not doing films,these keep me busy. However,currently she is working on three other scripts. Once my first film releases,these too will go on floors. I hope I get the funds soon, she states.
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