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This is an archive article published on December 2, 2014

Calligraphist takes Gurmukhi to Moscow

The love for Gurmukhi script happened much later in 2004, when she was 33 and came to Ludhiana after getting married.

Kamaljeet Kaur in Ludhiana. (Source: Express photo by Gurmeet Singh) Kamaljeet Kaur in Ludhiana. (Source: Express photo by Gurmeet Singh)

It has been a story of pleasant ironies for this 43-year old calligraphist Kamaljeet Kaur. An illiterate in Punjabi language till the age of 33, she is all set to represent Gurmukhi script at International Calligraphy Fest in Moscow, Russia.

A born artist, Kaur started with paintings and other art forms since his school days but was not known to art of calligraphy till her friend gifted her a set of fountain pen nibs in school. Even then she started with the art in English and Hindi only.

“I was brought up in Meerut and did my college from Ajmer. Both the cities have no connection with Punjabi. It may sound odd but being a Sikh, I did not know how to read or write Punjabi. My father started writing letters to me in Punjabi, making efforts to make me learn
the language but it did not work,” says Kaur. The love for Gurmukhi script happened much later in 2004, when she was 33 and came to Ludhiana after getting married.

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“I was amazed as to how I fell in love with the language while earlier I used to run away from it. I started learning Punjabi alphabets from the internet. Then happened my first calligraphy artwork in Punjabi with Gurbani moolmantra (Ek Onkar, Satnam..) and there was no looking back,” says Kaur, who recently shot to fame with her calligraphy on calendars and swords for Chaar Saahibzaade.

Acrylics, oil paints, watercolors, textures to gold leaf intricate artworks, Kaur is now a perfectionist in all forms of calligraphy that too on various base such as T-shirts, photo frames, mugs, stoles, lamps, greeting cards, paintings, wall hangings, wedding invites, scrolls etc.

The international exposure through internet has made her versatile, she says. “Internet has been my guru of sorts. Interactions with calligraphy artists from Russia and US has made me aware of multiple techniques which Indian artists are generally unaware of. For instance, gouache technique of art under running water is hardly practiced in India,” says Kaur, who has customized Gurbani shabads
in English and Hindi for clients overseas. Kaur makes sure that head in covered, shoes are off and water is pure while calligraphy of Gurbaani or any religious recitals is done at her residence cum studio in Dugri. “At Callifest-2014 in Mumbai, I took workshops to teach
Gurmukhi script calligraphy to various artists. Now I shall be representing Punjabi in Moscow.

It is hard to believe that I was estranged from Punjabi for 33 years,” says Kaur, who is also participating in Delhi International Film Festival this month.

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“I have been invited to participate in Moscow Calligraphy Fest in March and represent Punjabi there. All other languages will be represented by various artists,” said Kaur adding that ‘30 years of hardwork in calligraphy has finally paid.’ “I have many clients in Ludhiana but demand is definitely more from NRIs who want Gurbani calligraphies in their homes, offices etc,” she adds.

Divya Goyal is a Principal Correspondent with The Indian Express, based in Punjab. Her interest lies in exploring both news and feature stories, with an effort to reflect human interest at the heart of each piece. She writes on gender issues, education, politics, Sikh diaspora, heritage, the Partition among other subjects. She has also extensively covered issues of minority communities in Pakistan and Afghanistan. She also explores the legacy of India's partition and distinct stories from both West and East Punjab. She is a gold medalist from the Indian Institute of Mass Communication (IIMC), Delhi, the most revered government institute for media studies in India, from where she pursued English Journalism (Print). Her research work on “Role of micro-blogging platform Twitter in content generation in newspapers” had won accolades at IIMC. She had started her career in print journalism with Hindustan Times before switching to The Indian Express in 2012. Her investigative report in 2019 on gender disparity while treating women drug addicts in Punjab won her the Laadli Media Award for Gender Sensitivity in 2020. She won another Laadli for her ground report on the struggle of two girls who ride a boat to reach their school in the border village of Punjab.       ... Read More

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