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Journalism of Courage
Sharda Sinha, affectionately known as the “Bihar Kokila” or “Nightingale of Bihar,” long captivated audiences with her soulful renditions of Bhojpuri, Maithili, and Magahi songs, showcasing Bihar’s rich cultural heritage.
The singer, who passed away Tuesday at AIIMS Delhi, has a body of music that embodies the region’s heart, blending folk traditions with classical influences. Over the years, her songs have travelled far beyond the borders of Bihar, making her a beloved voice across India.
Born October 1, 1952, in Hulas, Bihar, Sinha grew up in a culturally rich environment steeped in folk traditions and local storytelling. She pursued higher education in music, eventually earning a Master’s degree from Patna University and a Ph.D. in folk music. Sinha’s early education and exposure to Bihar’s folk music played a crucial role in shaping her career and commitment to preserving local music traditions.
While trained in classical music, the 72-year-old focused on regional folk styles, especially Bhojpuri, Maithili, and Magahi. This decision distinguished her as a voice dedicated to celebrating the cultural identity of Bihar, putting it on the mainstream Indian music map.
Sinha’s career took off with her recordings of traditional folk songs, which resonated strongly with audiences in Bihar and beyond. Her voice quickly became synonymous with Bihari celebrations, and she earned the title “Bihar Kokila”, the evidence of her impact on the region’s musical landscape. Songs like “Paniya Ke Jahaj Se Palki Ae Aihe, Piya Ho” and “Jab Jab Bhaili Biyah Bhauji Ke Sanghe” became anthems at weddings and celebrations.
Her Bollywood breakthrough came with “Kahe Toh Se Sajna” from Maine Pyar Kiya (1989). This Bhojpuri folk song, featured in a major Bollywood film, introduced a broader audience to her talent and regional folk music.
Throughout her career, Sinha had been a dedicated proponent of Bihari culture. Her renditions of Chhath Puja songs, particularly “Ho Dinanath” and “Ugi He Suruj Dev,” are iconic and have become integral to the festival’s celebration. Her songs are played yearly as millions observe Chhath Puja, one of Bihar’s most significant festivals.
In preserving Bihar’s folk traditions, Sinha has brought attention to the unique qualities of Bhojpuri, Maithili, and Magahi music. She has helped many appreciate the depth of Bihari culture, and her work has paved the way for a renewed interest in regional music.
