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Eko: Dinjith Ayyathan, Bahul Ramesh pull off a KG George; use ecofeminism to show how men restrict women under the guise of protection
November 23, 2025 8:59 pm
Not Dies Irae, Bhoothakaalam remains director Rahul Sadasivan's best film; it proves supernatural is less scary than loneliness
November 06, 2025 2:23 pm
Who deserves the credit for Lokah's success: Movie's team, Malayalam film industry, Rima Kallingal or the audience?
October 21, 2025 2:31 pm
'Helpless' Mohanlal: How the Dadasaheb Phalke awardee's portrayals of despair always hit the audience square in the chest
October 12, 2025 8:36 am
Jeethu Joseph: The director who proved that a strong script can make audiences overlook even a film's most obvious flaws
September 15, 2025 9:25 am
How Mammootty taught generations of men to cry: The art and craft of portraying vulnerability, the Malayalam megastar style
September 09, 2025 12:07 pm
A Malayali reviews Param Sundari: Sidharth Malhotra-Janhvi Kapoor film is an overstuffed showcase of every stereotype associated with Kerala
September 03, 2025 4:37 pm
Njandukalude Nattil Oridavela: How Althaf Salim and Nivin Pauly subverted one of cinema's most clichéd, grievous themes
August 27, 2025 6:23 pm
Coolie feels like 1992 Mammootty film rip-off; Lokesh Kanagaraj missed Rajinism 101, Rajinikanth shines best with OG fan-directors
August 20, 2025 8:30 am
Not just Iron Man or Captain America, Rajinikanth was my whole Avengers growing up
August 15, 2025 6:12 pm

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Dec 05, 2025

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