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Whether it was Alice in Monsoon Wedding, Ratna in Sir, Ishita Sengupta in Lust Stories 2, Pooja Agarwal in Kota Factory, or the menacing Lata in Delhi Crime Season 2, Tillotama Shome’s roles have always left a lasting impression. Ask her what drives her choice of films and series, and she is quick to respond: “The script and the script.”
It’s not just her work; Shome’s style is equally admirable. Tell her that, and she states that comfort is key and that she would never “punish her body” to be fashionable. In a candid interaction with indianexpress.com, Shome spoke about fitness, mental health, her “cravings,” and the career path she would have taken had she not become an actor. Edited excerpts below:
Tillotama Shome: I would ask, why not? Mira Nair is an extraordinary filmmaker. Getting an opportunity to debut in her film and to be on her set was nothing less than magic. It was the most brilliant introduction to cinema; we shot on film, and then the world went digital. That I played the part of Alice, a luminously drawn character dripping with magic realism, was a gift. I hope art can look beyond narrow-minded divisions and structures that divide and control. My beginnings taught me the importance of story over “optics.”
Tillotama Shome: First impressions tend to stick. It was only after some 20 years, during the shoot of Goutam Ghosh’s Raahgir, where I play a migrant worker, that I began to feel uncomfortable being cast as heart-breakingly poor characters. I welled up and decided to push for diverse roles and break the class-based stereotypes. Thank god for directors like Konkona Sensharma, Puneet Mishra, and Sudip Sharma that I got to transgress and break the curse of playing it “safe.” I am an actor, and the best part of this job is to find nuance and not fall into the trap that people think I am best suited to.
Tillotama Shome: The script and the script. As I grow older, the people helming the project have become important. It’s a long engagement. Besides the craft, I want to grow with people who are good human beings.
Tillotama Shome: I’ve attended the Spoken Fest as an audience many times and have loved every edition. It’s a unique audience, open, non-judgemental. They are not glossy and welcome all kinds of families. I love the spirit of this fest and the heart of its founders. In my session with Patralekhaa, we discussed how our upbringing informed our choices as actors.
Tillotama Shome: Being comfortable. I will not punish my body and squeeze into someone’s idea of “fashion”.
Tillotama Shome: Daily exercise, eating a fibre and protein-rich diet, taking care of my plants, long walks, and spending time with the people who keep me mentally fit.
Tillotama Shome: I am in and out of the spotlight, so that keeps my arrogance in check. The dip in mental health became a thick reality with my perimenopause. Suddenly, strength training daily was no longer optional. I needed my body to show up for me when my mind was lost in some fog. And it works.
Tillotama Shome: I am full of cravings. As I get older, I am so much better at satisfying those cravings – be it knowing exactly what I want to eat or choosing a world I want to get lost in. Books and food nourish in ways that are inexplicable but certain.
Tillotama Shome: A drama therapist perhaps, a wanderer, a gardener…
Tillotama Shome: It was a privilege to meet the people, the poets, and the voices of Shillong. I don’t know what they got from me, but I have come back electrified and rejuvenated. In a world where only certain voices get heard and amplified, the Spoken Fest makes space for different voices to tell their stories, and that is a space I would love to protect and grow with.