A Myriad of Tongues by Caleb Everett suggests that while it is common to assume that shared human experience causes languages to categorise ideas and objects similarly, a closer examination reveals that the speakers of different languages literally see and think about the world differently. Why do some talk anthropocentrically about things being to one’s “left” or “right,” while others use geocentric words like “east” and “west”? As the only country with printed newspapers in 35-plus languages and 100-plus spoken with critical mass, Everett’s thesis reinforces that India’s translation ecosystem is a national identity, security, and culture project. We bear good news: India’s translation ecosystem is being re-energised by a database of demand and supply that will reimagine matching.
The fragmentation and dispersion of the many stakeholders is both a bug and a feature of India’s translation ecosystem; a negative because it sabotages economies of scale and scope via collaboration but a positive because it encourages entrepreneurship, freedom and cognitive diversity. However, few disagree that an inventory of India’s translation ecosystem is hard, overdue and valuable. This has begun; India’s first non-profit, open-access and crowd-sourced database of Indian translations is now searchable at www.bhashavaad.org.
As with any open-source living archive, its current data — 14,000-plus entries, 6500-plus authors, and 7000-plus translators — is a hypothesis that will be improved. But it will always be a work in progress — more river than ocean. It tries to answer questions like what is and what is not being translated, who is publishing translations, who is translating, which languages are most active, what are the most translated language pairs, and many more. It aims to understand our multilingual landscape: the dynamics between languages, the communities that use them, and the regions they belong to.
Today’s Bhashavaad data suggests the 125 translations in the first five decades of the 20th century leapt to 2673 in the first two decades of the 21st century. The top ten translated languages are Bengali (1749), Hindi (1155), and Marathi (887), followed by Tamil, Malayalam, Urdu, Telugu, Kannada, Sanskrit and Odia. The top five languages that receive translations outside English (half the story) are Hindi, Gujarati, Kannada, Bengali, and Telugu. A happy discovery of browsing is the long tail of translations from Manipuri, Maithili, Kodava, Rajbangshi, Mizo, Kokborok and Bongcher. The top languages for translation from Sanskrit are English, Gujarati, Hindi, Kannada and Punjabi.
The top publisher of translations is National Book Trust with 2260, closely followed by Sahitya Akademi with 2118. The most prolific translation publishers are Penguin in English, Vani Prakashan in Hindi, Gurjar Grantharatna in Gujarati, DC Books in Malayalam and Dey’s Publishing in Bengali. The top translated authors include Rabindranath Tagore, Sarat Chandra Chattopadhyay, Premchand, Amrita Pritam, William Shakespeare, Saadat Hasan Manto, Mahasweta Devi, Jules Verne and Satyajit Ray. The database throws up delightful translation heroes like Chandrakant Pokale (127 translations from Marathi to Kannada), Ramanlal Soni (83 translations from Bengali and seven from English to Gujarati), Sudhindranath Raha (65 translations from English and several European languages to Bengali) and Jai Ratan (36 translations from Hindi, Urdu, and Punjabi to English).
Bhashavaad, like any database, is helpful but incomplete. However, it will improve as public users, authors and translators add new entries and correct existing ones. Publishers will soon have institutional interfaces to add or modify information. Collaborations with repositories of existing records are being explored, and data collection work continues from catalogues, websites and library lists. Most stakeholders in the literary world haven’t heard an appeal for shramdaan in a long time; Bhashavaad is it.