With the passing of author-filmmaker MT Vasudevan Nair (1933–2024), the country has lost one of its most influential cultural icons, who elevated both literature and cinema to extraordinary heights. During his lifetime, MT accomplished everything an Indian storyteller could aspire to, including winning the prestigious Jnanpith Award. However, he left behind an unfulfilled dream: adapting his acclaimed mythological novel Randamoozham (1984) — a retelling of the Hindu epic Mahabharata from the perspective of Bhima — into a film.
Interestingly, the prospect of adapting Randamoozham into a film has captivated many filmmakers over the years and in the early 2010s, director Hariharan teamed up with MT, announcing the project, but it never came to fruition. Later, ad filmmaker and feature director VA Shrikumar Menon collaborated with MT to bring the vision to life. However, when the production failed to begin within the stipulated timeline, MT took legal action and reclaimed the rights to his script. Nonetheless, throughout these developments, one aspect remained constant: the unanimous belief that Mohanlal was the ideal choice to play Bhima. Now, with MT’s daughter Aswathy confirming that work on the project has resumed under a new director, anticipation is soaring — especially to see if Mohanlal will reprise the role originally envisioned for him.
You have exhausted your monthly limit of free stories.
Read more stories for free with an Express account.
The widespread desire to see Mohanlal as Bhima goes beyond his stardom and it stems from the deep belief that only he can do justice to such a monumental, layered and complex character. Mohanlal’s previous collaborations with MT stand as a testament to his ability to bring intricate characters to life with unmatched precision and notable examples include Sadayam (1992), Amrutham Gamaya (1987), Thazhvaram (1990), Panchagni (1986) and Uyarangalil (1984), among others.
“I had the honour and blessing of working on 10-12 films with him, all of which were remarkable. Most recently, I did Olavum Theeravum with Priyadarshan (a featurette in the anthology streaming series Manorathangal, based on MT’s various short stories). His scripts are incredibly strong and packed with values and emotions. He knew how to create magic with short sentences, something only MT sir could achieve. I’m nobody to comment on his literary genius — after all, he’s a Jnanpith awardee. But I was fortunate to work with him on many films and we shared beautiful moments. There was a time when he came all the way to watch my plays, which speaks to the bond we shared,” Mohanlal shared during an exclusive chat with SCREEN.
Listen to SCREEN’s exclusive interview with Mohanlal here:
The Malayalam superstar also highlighted that the timeless brilliance of MT’s scripts owes much to the legendary directors who brought them to life. “His films, like Thazhvaram, remain iconic because they were directed by greats like Bharathan and IV Sasi, and, more recently, Priyadarshan. It was Priyan’s dream to direct a script by MT Vasudevan Nair,” he mentions.
Reflecting on adapting MT’s 1957 short story Olavum Theeravum, Mohanlal emphasised its significance for both him and Priyadarshan. He also recalled the 1970 adaptation of the story, directed by PN Menon, with Madhu, Ushanandini, Jose Prakash and Philomina in the lead roles. In the latest version, their roles were reprised by Mohanlal, Durga Krishna, Hareesh Peradi and Surabhi Lakshmi, respectively. “Olavum Theeravum (1970) is one of the best Malayalam films and it marked a significant shift in the industry, moving it from studios to outdoors. It’s a small piece of short story that could be a five-minute movie, but we created a 45-minute featurette, while the 1970 film ran over two hours. MT sir’s passing is a profound loss for our literature. He was a great soul who created magic with his pen and I will always treasure the unforgettable moments we shared.”
Anandu Suresh is a Deputy Copy Editor at Indian Express Online. He specialises in Malayalam cinema, but doesn't limit himself to it and explores various aspects of the art form. He also pens a column titled Cinema Anatomy, where he delves extensively into the diverse layers and dimensions of cinema, aiming to uncover deeper meanings and foster continuous discourse. Anandu previously worked with The New Indian Express' news desk in Hyderabad, Telangana. You can follow him on Twitter @anandu_suresh_ and write (or send movie recommendations) to him at anandu.suresh@indianexpress.com. ... Read More