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‘Immortal’ but also ‘ridiculous’, Javed Akhtar’s Ek Do Teen: The numbers song that sounded ‘funny’ to Madhuri Dixit

Hand something as mundane as numbers to Javed Akhtar and what do you get: One of his most popular songs "Ek Do Teen" for the 1988 film Tezaab.

6 min read
Madhuri Dixit in Tezaab's 'Ek Do Teen', written by Javed Akhtar.

In Hindi, when you start counting numbers, it just goes ‘ek, do, teen, chaar (one, two, three, four)’ and so on. These might be just numbers but hand them to Javed Akhtar, and the veteran lyric writer turned them into one of his most popular songs “Ek Do Teen” for the 1988 film Tezaab. The longing of a heartbroken lover, the song was filmed on Madhuri Dixit and was largely responsible for turning her into a national sensation. Composed by Laxmikant Pyarelal and choreographed by Saroj Khan, “Ek Do Teen” was once described as a “second National Anthem” by singer Alka Yagnik. Madhuri, whose performance on it impressed a country, meanwhile, had found it “funny”.

Javed shared that the idea of the lyrics germinated from the dummy words written by composer Laxmikant. Dummy words, he described, are filler words that the composers would use to explain the tune to the lyric writers, so the lyric writers could come up with actual words in that particular music. In a chat with Nasreen Munni Kabir for her book Talking Songs, Javed shared that Laxmikant shared the tune with him with some dummy words where he just sang “Ek do teen chaar paanch (one two three four five)” to the tune of the song. When Javed brought the cassette with the music back home and listened to it, he was struck by lightning. “A line came to me: ‘ Tera karu din gin-gin ke intezaar’ [I count the days till you return]. The moment I hit on this line, it provided me with the angle for the whole song, so I remained loyal to it. And then the song took the form of detailing what happens on each passing day as she waits for her lover’s return,” he shared.

However, when he presented his idea to Laxmikant the next day, the composer felt that this would be “ridiculous.” “I think we’re totally going overboard,” he recalled the composer’s words but Javed had faith that he would write the song in a way that justifies the use of the numbers.

Pyarelal, the other half of the composer duo, found the song “immortal” and in an earlier chat with PTI, he said that the inclusion of the days, weeks, months and years changed the feel of the song completely. But, as modest as he is, he believed that there was no musical greatness associated with this song. “The way he came up with ‘din-hafta-mahina-saal’, it completely transformed the song,” he said and added, “Otherwise the melody is nothing really if you look at it musically.”

In another chat shared by YouTube channel Kartik Jaggi, Javed explained the poetic tradition of ‘Barahmasa’ and how ‘Ek Do Teen’ is like a miniature version of the same. ‘Barahmasa’ or 12 months of the year, is a poetry tradition where a woman talks about her longing for her beloved who has been away from her. “A birhan, the one who is away from the lover, describes how every month of the year passed without you. So this (Ek Do Teen) is a kind of a miniature ‘Barahmasa’ where the birhan is describing how she passed every day of the month.”

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Apart from the lyrics and the music, a part of the credit of this song’s success is shared by performer Madhuri Dixit, choreographer Saroj Khan and singer Alka Yagnik. Madhuri had appeared in just a few films until then and was largely unknown in the Hindi film industry. While Ram Lakhan was supposed to be her big launch, Tezaab’s “Ek Do Teen” shot her into stardom even before Ram Lakhan’s release. In a chat with Anupam Kher on The Anupam Kher Show, Madhuri said that when she first heard the lyrics, she found them “funny.” “I thought the song was ‘funny’, like the lyrics, ‘Ek do teen’, you are singing the numbers and it’s a song, like the words are fillers. But when it was picturised. When Saroj ji choreographed it, and I saw it for the first time, then I understood the impact. Then I was like, ‘my god, this is a very good song!’”

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Alka also did not understand the poetry behind the seemingly simple lyrics at first. She recalled, in a chat with Film Companion, that she felt like the composers were pulling prank on her as they started dictating the lyrics. “But I didn’t say anything, I was scared of them,” she said. As Alka kept writing, she gradually realised that the song was more than just numbers. “I wrote the second line, the third line, the paragraphs, and I was like, ‘My God, what a song, what lyrics’. And the way it progressed, and how it climaxes… I had great fun singing it.” Alka, in a chat decades ago to Wild Films India, had described it as a “turning point” for her, and said that the song was “like a second National Anthem, because of its popularity.”

Pyarelal also credited the other elements of the song for its success and said, “Also the way it was shot, choreographed, danced, mattered.” He added, “I didn’t think Ek Do Teen would become so popular.”

Madhuri Dixit in a still from ‘Ek Do Teen’,

The famous song released 37 years ago and while the song had everything working for it just perfectly, Javed’s contribution feels a little special here as he turned something seemingly simple into art, and made it impossible for anyone to not sing out the numbers even when they are just counting stars.

Sampada Sharma has been the Copy Editor in the entertainment section at Indian Express Online since 2017. ... Read More

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  • Alka Yagnik javed akhtar madhuri dixit nene Saroj Khan
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