Tuesday, July 05, 2022
In photos: Mumbai landmarks that shaped the Indian independence movement
PremiumThe forgotten Rodda Arms Heist which gave ammunition to revolutionary activities across India
How the many imaginary lines drawn by the British continue to generate and impact conflicts in the Northeast
Who are the Taliban? Part 3: Why Taliban is not going to find it easy in second coming
The ‘Mexican-Hindus’: The rise, and fall, of a unique hybrid community
Streetwise Kolkata – Ezra Street: A reminder of the city’s rich Jewish past, and much more
Who are the Taliban – Part 2: Will there be changes on the ground?
How with 4 Olympics golds, Jesse Owens ran Hitler out of his Aryan supremacy theory
From Hitler’s Aryan show to shows of resistance… the politics of Olympics
Who are the Taliban – Part I: From hardliners to moderates, is there a generational shift?
How Dilip Kumar’s Jugnu lost 28 minutes to confused morality of a young India
How a threatened fish species highlights climate racism against indigenous peoples in the US
Coca-Cola, canned food and Jazz nights: What American GIs brought to the streets of Calcutta during WWII
Interview: ‘Mughal art borrowed from the Ottomans and Safavids, also absorbed India’
Golliwogs, Mudbloods and fair princesses: The pervasive symbols of race and gender oppressions in children’s literature
PremiumChinese Communist Party at 100: How the party uses history to build its future
Bennet’s choice: Israel’s new PM has to choose between Ben Gurion and Netanyahu’s strategies
From Ray to Rituparno: A long history of politics in Bengali cinema
The journey of the Thoothukudi Macaron: From Italian nunneries to the Coromandel coast
The new Atlantic Charter: Renewing a ‘special relationship’ between US and UK
Mountbatten-Windsor: The story behind Lilibet’s last name
In Family Man 2, three aspects that remind us of Tamil rebels
Children of exile: Why Mahmoud Darwish and Edward Said are poster children of the Israel-Palestine conflict
Painting the Spanish Flu: How iconic art and literature depicted the ailing, the dead