‘Apophenic Talks’ lends a modern twist to the oral and visual representation of language, and spearheads public dialogue.

The Old World Theatre Festival, in its 15th edition, is a show of hands of new approaches in theatre.

Heisnam Kanhailal, who passed away yesterday, was a master of using the bodies and energies of actors to create powerful narratives.

These rules, for regulation in the interest of “public order, decency or morality”, make prior scrutiny of such performances and of the script mandatory. After scrutiny, a certificate is issued subject to conditions.

The play Mr and Mrs Murarilal is a story of old age and loneliness wrapped in humour, old Hindi songs and cinematic extravaganza.

Artistes come together to urge for equal rights.

KA Abbas had gone in search of Bharat Mata and found her in five common women. On the 30th death anniversary of the Bollywood filmmaker and writer, Delhi-based director Lokesh Jain adapts his work Bharat Mata Kay Paanch Roop for the stage.

Amitosh Nagpal’s new play uses humour to expose the evils of corruption.

Delhi’s Khoj Studios presented a unique performance that responded to the city’s architecture, environment and its people.

Bhide is all set to stage a Marathi play named NoRhino that talks about various aspects that have contributed to decrease in the count of rhinoceros and showcases how the animal’s life is under threat.

The children watching the play erupt into giggles at the Rajkumari’s antics; some nudge each other and exchange knowing looks, recalling, no doubt, their own food-related peeves.

Theatre defined Kavalam Narayana Panikkar, but his was an original voice in Malayalam poetry, film music and studies in performance traditions.

Gopal Sharman, playwright, poet, musician, filmmaker and carpenter of an auditorium, leaves behind an applauding audience.

The directors would produce two plays against the backdrop of available natural settings, where monetary expenses would be kept to a minimum.

A play decodes the mystery behind the making of the Mahatma.

Italy’s Roberto Frabetti, a pioneer in ‘Early Years Theatre’, shares with Indian practitioners the experience of creating plays for very young children.

Theatre director Tripurari Sharma on turning the life of a call centre worker into a layered human drama.

While the larger story is of the eternal struggle between the human heart, mind and body, Arora, has created a new subtext to this deep subject, that of desire.