Film criticism suffers in the rush to publish first and fast, resulting in writing that is lazy, over-reliant on templates and hung up on 'political correctness'.
The film is too faithful to its source. Filmmakers can borrow the core elements from the textual material but it is important to be disloyal to its structure, even treacherous if necessary
Rajesh Rajamani writes: Bollywood has always anchored itself to an overarching ‘Indian identity’ that isn’t tied to any particular landscape. Viewers, however, want local stories that have a wider appeal.
Rajesh Rajamani writes: Until web series invest in better storytelling methods, watching one will resemble a heavy drinking session that can be fun while it lasts but is sure to give a bad hangover the next morning
