A Kannada poet-activist Du Saraswathi sings of a Sita who doesn’t die, she lives on to create life. “Why should Sita die? Life is precious and beautiful. It should be used to create more life. And that is why Sita is important,” says Saraswathi.
For years, Girish Karnad has used history and ancient myths to examine the fault lines of Indian society, here and now. As he returns with a new historical play, a look at the 80-year-old’s legacy and why he still feels the need to voice his dissent.
Abhilash Tomy’s Golden Globe adventure, though, remained a secret to his parents. “When the boat was built, a Malayalam newspaper printed a small story about it. That’s when we came to know,” the father says.
The Indian Express reporters fan out across the country to mark milestones in the Mahatma’s journey. To bring stories of the footsoldiers of Swachh Bharat, whose job it is to wipe, mop and dust where the Mahatma once walked.
Thank You for the Stories: Mohananswamy’s readers continue to find him. He uses every opportunity to meet and counsel them. “I have to speak up, only then will others find the courage. Someone has to be there for them. Someone has to say, this is who I am,” he says.
The website’s founder and owner, Mahesh Vikram Hegde, said, “When we tried to post something on our page Sunday, we could not find it. We have not received any communication from Facebook. So, we cannot even appeal against it,” Hegde said.
Suba, along with writers like Rajesh Kumar and Pattukottai Prabhakar — and before them, Sujatha — was a part of the explosion of Tamil crime writing in the 1970s and 1980s. Their stories were serialised in magazines, printed as monthly novels, and devoured by a people on the move.