From Charlie Chaplin to Duran Duran, Birmingham parades its best at Commonwealth Games opening ceremony

Chaplin, adopted gleefully by Birmingham, with a wink to London, though was given full leeway to set the iconic Birmingham library on fire in the put-up comedy sketch. At least one of the many Chaplins paying tribute to the original, did. Not quite the Queen flung from a plane like in London’s haww moment, with James Bond coming to her rescue, but Chaplin’s bit-part equalled Mr Bean from 2012.

The opening ceremony placed a young character Stella and fellow athletes, dubbed Dreamers, through the different skins worn by Birmingham through the years of rise and decline, and redemptions. This wasn’t sport in a bubble, that hitherto has kept athletes in a neatly separated universe that is dreamily elevated from non-athletic mortals. Stella lived in the real world – a reckoning that athletes across the world are waking up to, as sport searches for meaning beyond twitching of fast fibres.

🤯Was there a bigger show-stopper tonight than the raging bull!?

What was your favourite moment of that epic Opening Ceremony!?#B2022 pic.twitter.com/eqkwmqKXjj

— Birmingham 2022 (@birminghamcg22) July 28, 2022

In the movie-like narration, Stella encountered underpaid overworked female chain-makers – women of the Industrial Revolution, whose emancipation took a century before the 1910 minimum wages strike. It resonated with today’s Birmingham, bang in the middle of railway workers’ strikes during the Games, and how labour and self-assertion movements rage on, amplified by sport’s sprinkled gold dust in the vicinity.

The city’s iconic ‘Bullring markets’, where the favourite sport was bull-baiting, was re-imagined to liberate the chained giant bull, and along with it the women chain-makers. This wasn’t a host city shying away from calling out the disturbing flip side of sport or entertainment or the racist world it once operated in.

Some of the scenes from the beginning of the #B2022 Opening Ceremony🤩

🙋‍♂️🙋‍♀️Who’s enjoying it so far? pic.twitter.com/kVjcycO1SW

— Birmingham 2022 (@birminghamcg22) July 28, 2022

Comedian Joe Lycett, wearing outrageous pink feathers and satin, cut through some fluff with the most outstanding gag of the day, saying, “I’m going to do something now that the British government doesn’t always do and welcome some foreigners.” He then invited Asian nations into the stadium for the athletes parade.

Inclusiveness

The dance collective ‘Critical Mass’ featured in the opening ceremony, and lent distinct guitar riffs by His Royal Under-tone, Black Sabbath’s Tony Iommi, had 45 percent of those that self-identify as deaf, disabled, neurodivergent or living with a long-term health condition, performing side by side with non-disabled performers.

While searchlights and flashbulbs highlight all that is uplifting and illuminating about sport, Birmingham owned up its dire past of the Black Country landscape, characterised by smoke emitted by its factories in the day, while at night the furnaces glowed red during the industrialisation excesses. Stella wasn’t in a parallel world, working her muscle groups and monitoring thoughtless and worry-less sleep. This was an athlete confronted with the realities of the outside world, that go beyond medals and podiums.

👑 Signing off from an epic night with a final world from HRH The Prince of Wales!

Get to bed, folks. See you all tomorrow for more epic moments!#B2022 pic.twitter.com/UIJ8F6L4Up

— Birmingham 2022 (@birminghamcg22) July 28, 2022

Birmingham also placed a mirror to racial tensions through the show, exploring cultural migration and differences as obstacles to integration and coexisting. While journeys of Western cities towards multiculturalism overcoming inherent misunderstandings and tensions are often celebrated, the show put into stark sobering relief how racial tensions are one tinder-flicker away from flaring up, a reminder that this is not easy smelting. Nothing in metal city is easy.

Sport makes for the most photogenic frames of human endeavour – montages of past Games can be hypnotic. And the Birmingham opening gathered the best in showbiz from the British Isles to hint to the athletes that they ought not to hide behind the smokescreen of sport. In a difficult summer for the hosting country with politics and economy teetering, with a show planned in Britain’s second city for sport, never shying away from the smoke and grime of its foundries, a spectacle celebrated sobering realities surrounded sport.

💬”Tonight, teams from 72 countries join Birmingham to celebrate friendship across borders.”

❤️@Malala‘s address was incredible!#B2022 pic.twitter.com/612sHZN8T2

— Birmingham 2022 (@birminghamcg22) July 28, 2022

Chaplin was around to make the hard life, a tad easy. As was Lenny Henry, a black comedian who keeps offending many in England by speaking the truth about racism steadfastly and consistently. After he said”Big up snobs.” His presence invited another round of insults declaring him ‘unfunny.’ He’s bonafide funny though and in his funniest on the day was a wicked one about different skin palletes of Birmingham: “black, white, brown, pink and sunburnt-from-two-weeks-ago.”

Then Duran Duran took over and crooned about life and coming undone.

Athletes parade

Much has changed about Games, and athletes have mercifully shed the image of this being some stern military marchpast lite by actually enjoying their welcome parade.

Some did cartwheels and handstands, many danced into the arena. Several left early from a side exit, not wanting to stand long hours of the ceremony. Young people who always have someplace else to be. Like on podiums especially.