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Saturday, December 07, 2019

Happy Teachers’ Day: Rabindranath Tagore on teaching without textbooks

Happy Teachers' Day: Thus the boys of our school were fortunate enough to be able to receive their lessons from a living teacher and not from textbooks. Have not our books, like most of our necessaries, come between us and our world?

Updated: September 5, 2018 10:29:47 am
Teachers’ Day 2018: Rabindranath Tagore showed how teaching wasn’t just about learning from textbooks. (Source: File Photo)

Happy Teachers’ Day: “Of course, it would be foolish to underrate the advantages of the book. But at the same time we must admit that the book has its limitations and its dangers.”

My School

I believe, as I suggested before, that children have their subconscious mind more active than their conscious intelligence. A vast quantity of the most important of our lessons has been taught to us through this. Experiences of countless generations have been instilled into our nature by its agency, not only without causing us any fatigue, but giving us joy. This subconscious faculty of knowledge is completely one with our life. It is not like a lantern that can be lighted and trimmed from outside, but it is like the light that the glow-worm possesses by the exercise of its life-process.

Fortunately for me I was brought up in a family where literature, music and art had become instinctive. My brothers and cousins lived in the freedom of ideas, and most of them had natural artistic powers. Nourished in these surroundings, I began to think early and to dream and to put my thoughts into expression. In religion and social ideals our family was free from all convention, being ostracized by society owing to our secession from orthodox beliefs and customs. This made us fearless in our freedom of mind, and we tried experiments in all departments of life. This was the education I had in my early days, freedom and joy in the exercise of my mental and artistic faculties. And because this made my mind fully alive to grow in its natural environment of nutrition, therefore the grinding of the school system became so extremely intolerable to me.

I had only this experience of my early life to help me when I started my school. I felt sure that what was most necessary was the breadth of culture and no formal method of teaching. Fortunately for me, Satish Chandra Roy, a young student of great promise, who was getting ready for his B.A. degree, became attracted to my school and devoted his life to carry out my idea. He was barely nineteen, but he had a wonderful soul, living in a world of ideas, keenly responsive to all that was beautiful and great in the realm of nature and of human mind. He was a poet who would surely have taken his place among the immortals of world literature, if he had been spared to live, but he died when he was twenty, thus offering his service to our school only for the period of one short year.

With him, boys never felt that they were confined in the limit of a teaching class; they seemed to have their access to everywhere. They would go with him to the forest when in the spring the sal trees were in full blossom, and he would recite to them his favourite poems, frenzied with excitement. He used to read to them Shakespeare and even Browning—for he was a great lover of Browning—explaining to them in Bengali with his wonderful power of expression. He never had any feeling of distrust for the boys’ capacity of understanding; he would talk and read to them about whatever was the subject in which he himself was interested. He knew that it was not at all necessary for the boys to understand literally and accurately, but that their minds should be roused, and in this he was always successful.

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He was not like other teachers, a mere vehicle of textbooks. He made his teaching personal; he himself was the source of it, and therefore it was made of life stuff, easily assimilable by the living human nature. The real reason of his success was his intense interest in life, in ideas, in everything around him, in the boys who came in contact with him. He had his inspiration not through the medium of books, but through the direct communication of his sensitive mind with the world. The seasons had upon him the same effect as they had upon the plants. He seemed to feel in his blood the unseen messages of nature that are always travelling through space, floating in the air, shimmering in the sky, tingling in the roots of the grass under the earth. The literature that he studied had not the least smell of the library about it. He had the power to see ideas before him, as he could see his friends, with all the distinctness of form and subtlety of life.

Thus the boys of our school were fortunate enough to be able to receive their lessons from a living teacher and not from textbooks. Have not our books, like most of our necessaries, come between us and our world? We have got into the habit of covering the windows of our minds with their pages, and plasters of book phrases have stuck into our mental skin, making it impervious to all direct touches of truth.

A whole world of bookish truths have formed themselves into a strong citadel with rings of walls in which we have taken shelter, secured from the communication of God’s creation. Of course, it would be foolish to underrate the advantages of the book. But at the same time we must admit that the book has its limitations and its dangers.

At any rate during the early period of education children should come to their lesson of truths through natural processes directly through persons and things.

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Being convinced of this, I have set all my resources to create an atmosphere of ideas in the ashram. Songs are composed, not specially made to order for juvenile minds.

They are songs that a poet writes for his own pleasure. In fact, most of my Gitanjali songs were written here. These, when fresh in their first bloom, are sung to the boys, and they come in crowds to learn them. They sing them in their leisure hours, sitting in groups, under the open sky on moonlit nights, in the shadows of the impending rain in July. All my latter-day plays have been written here, and the boys have taken part in their performance. Lyrical dramas have been written for their season-festivals. They have ready access to the room where I read to the teachers any new things that I write in prose or in verse, whatever the subject may be. And this they utilize without the least pressure put upon them, feeling aggrieved when not invited.

A few weeks before leaving India I read to them Browning’s drama Luria, translating it into Bengali as I went on. It took me two evenings, but the second meeting was as full as the first one. Those who have witnessed these boys playing their parts in dramatic performances have been struck with their wonderful power as actors. It is because they are never directly trained in the histrionic art. They instinctively enter into the spirit of the plays in which they take part, though these plays are no mere schoolboy dramas. They require subtle understanding and sympathy.

With all the anxiety and hypercritical sensitiveness of an author about the performance of his own play, I have never been disappointed in my boys, and I have rarely allowed teachers to interfere with the boys’ own representation of the characters. Very often they themselves write plays or improvise them, and we are invited to their performance.

They hold meetings of their literary clubs, and they have at least three illustrated magazines conducted by three sections of the school, the most interesting of them being that of the infant section. A number of our boys have shown remarkable powers in drawing and painting, developed not through the orthodox method of copying models, but by following their own bent and by the help of occasional visits from some artists to inspire the boys with their own work.

When I first started my school my boys had no evident love for music. The consequence was that at the beginning I did not employ a music teacher and did not force the boys to take music lessons. I merely created opportunities when those of us who had the gift could exercise their musical culture. It has the effect of unconsciously training the ears of the boys. And when gradually most of them showed a strong inclination and love for music I saw that they would be willing to subject themselves to formal teaching, and it was then that I secured a music teacher.

In our school the boys rise very early in the morning, sometimes before it is light. They attend to the drawing of water for their bath. They make up their beds. They do all those things that tend to cultivate the spirit of self-help.

I believe in the hour of meditation, and I set aside fifteen minutes in the morning and fifteen minutes in the evening for that purpose. I insist on this period of meditation, not, however, expecting the boys to be hypocrites and to makebelieve they are meditating. But I do insist that they remain quiet, that they exert the power of self-control, even though instead of contemplating on God, they may be watching the squirrels running up the trees.

Any description of such a school is necessarily inadequate. For the most important element of it is the atmosphere, and the fact that it is not a school which is imposed upon the boys by autocratic authorities. I always try to impress upon their minds that it is their own world upon which their life ought fully and freely to react. In the school administration they have their place, and in the matter of punishment we mostly rely upon their own court of justice.

(Excerpted with permission of Hachette India from Words to Live By, edited by Deepa Agarwal.)

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