French Ambassador on Milan Kundera: His fiction is philosophy
Kundera’s goal was to lend new credibility to the genre by infusing it with themes revolving around one’s past, memory and amnesia, nostalgia and self-ridicule
For readers interested in reading his translated works, I am happy to announce that the French Institute in India is set to open French corners in major bookstores in India, starting with Kunzum in GK II on August 12. There, readers will be able to access all major French works in translation, including classics, and a curated contemporary section.
C R Sasikumar Born in Czechoslovakia, Milan Kundera sought exile in France in 1975, where he lived until his recent death at 94 years of age. He began his career writing poetry, placing the emotional experience at the heart of his work and willingly moving away from propagandistic works glorifying the ideals of the Communist Party. His first two books, The Joke (1967), and Laughable Loves (1968), explore human relationships and the difficulty of language. Written shortly after the Soviet invasion or Prague Spring, The Joke depicts a situation where freedom of speech is muzzled, and his faith in the Communist Party has started eroding. His next novel, Life is Elsewhere (1969), which deals with his communist past, went on to receive the Prix Médicis as early as 1973 for its French translation.
In 1975, the political climate in central Europe was such that he decided to leave the erstwhile Czechoslovakia and seek exile in France. For the first time, he could write freely, without fear of being censored. He went on to obtain French nationality in 1981 (after being stripped of his Czech one in 1979). He wrote his most famous novel, The Unbearable Lightness of Being (1984) while living in Paris. It was an immediate success and appealed to intellectual circles and readers all over Europe and America, and all the way to India. The opening lines of the novel, discussing Nietzsche’s theory of eternal return, are etched in the minds of legions of teenagers, as are the adventures of Franz and his libertine way of life. Kundera’s goal was to lend new credibility to the genre of fiction, by infusing it with strong philosophical themes revolving around one’s past, memory and amnesia, nostalgia and self-ridicule.