This is an archive article published on March 6, 2015
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Face the truth

Descriptions of the ‘monster’, the ‘evil one’, for the rapist tend to ignore that we are creating, replicating, encouraging misogyny and its violent expression.

Written by: Brinda Karat
7 min readMar 6, 2015 12:00 AM IST First published on: Mar 6, 2015 at 12:00 AM IST
Rape documentary, india's daughter The FIR mentions the name of Mukesh Singh, who in the footage released by the director of the documentary.

India must be one of the few countries in the world where its government bans the television broadcast of a documentary film without even seeing it. India’s Daughter, a documentary film made by Leslee Udwin about the horrific rape and murder of a young woman in December 2012, was to be simultaneously broadcast on International Women’s Day in India and on BBC. The BBC preponed the showing and, therefore, citizens of Britain and other countries, who had access to the channel, had the choice to see the film, a choice denied by the government of India to its own citizens. Of course, with the film now on YouTube (though the government has asked for it to be taken down), it will be seen by many people in India, who can form their own opinions.

Having seen the film, I can say without hesitation that the ban is quite unwarranted. Although there may be moments when you think a particular scene could have been done differently, it is on the whole a powerful and moving depiction, without frills, without sermons, without sensationalisation, of the events that shook India and awakened the spirit of resistance and anger of thousands of young people against sexual assault and violence against women. It is a mirror that reflects some of the structural reasons behind the proliferation of rape cultures.
Members of Parliament who expressed several reasons for their outrage, some women members even storming the well of the House on the demand for a ban, fuelled the government’s penchant for authoritarian steps. A reason cited was that the film includes an interview of one of the convicted rapists, which is an insult to women. This is an entirely misplaced concern. It is one thing to protest and condemn a depiction that glorifies a crime or the criminal or which promotes it, but it is quite wrong to object to an interview of a convicted criminal in principle on supposedly ethical grounds. Sometimes, as in this film, the words of a criminal bring home the cruel reality of the familiarity of the words, the language, the thinking he represents. The very ordinariness of the person mocks at facile assumptions that rape and rapists are individual aberrations, exceptions, specific to this or that person. Descriptions of the “monster”, the “evil one”, for the rapist tend to ignore the truth that we as a society are creating, replicating, encouraging misogyny and its violent expression. The film brings this home.

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