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Ai Weiwei in Ukraine

The Chinese dissent artist met soldiers and cultural figures. Next month he will be exhibiting in Kyiv

Chinese dissident artist Ai Weiwei visited Ukraine weeks before unveiling his new art installation in Kyiv.Chinese dissident artist Ai Weiwei visited Ukraine weeks before unveiling his new art installation in Kyiv. (Source: Ai Weiwei/Instagram)

Weeks before his new art installation is unveiled in Kyiv, Chinese dissident artist Ai Weiwei visited Ukraine. Photographs posted by him on Instagram show him in Kharkiv, a city in northeast Ukraine.

Among others are photographs of a Ukrainian flag billowing in the wind, sunflower fields, local cats and the artist with Ukrainian soldiers. He also met Ukrainian writer, musician and activist Serhiy Zhadan, businessman and Khartia commander Vsevolod Kozhemyako, footballer Andriy Shevchenko and artist Hamlet Zinkovsky.

Though Ai Weiwei did not caption his photographs, Russian-Canadian artist-activist Pyotr Verzilov shared his photographs with Ai Weiwei alongside some details of the visit.

He wrote, “The chief artist of modernity, one of the pillars of world culture, the symbol of modern art Ai Weiwei came to us at the frontline in the very heart of the war, on combat positions north of the beautiful city of Kharkiv…. The great Ai Weiwei — smart, cheeky and brave — as the number one cultural figure on Earth should be.”

The politically conscious artist and activist, who has often commented on geopolitical and humanitarian concerns through his works and otherwise, will be showing his work at Kyiv’s Pavilion 13, a former Soviet-era exposition hall that has now been renovated into a multi-disciplinary arts space.

Titled Three Perfectly Proportioned Spheres and Camouflage Uniforms Painted White, its metal structure is made of spherical forms that also comprised another Ai Weiwei work, Divina Proportione (2004–12), which was inspired by Renaissance master Leonardo da Vinci’s illustrations for an eponymous book on mathematics, written by Luca Pacioli.

Commissioned by Ribbon International, a not-for-profit organisation, according to its social media account, “… the work reflects on Enlightenment ideals of rationality — and how those frameworks are co-opted in a world shaped by conflict and concealment.

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Speaking about it, Ai Weiwei stated, “That is the challenge, to build new works relating to what I feel, to me in the past and to the current situation. Art is more metaphysical. You cannot really give every description, but you can always suggest a gesture or attitude or some kind of symbolic meaning, more like a poetic gesture.”

Vandana Kalra is an art critic and Deputy Associate Editor with The Indian Express. She has spent more than two decades chronicling arts, culture and everyday life, with modern and contemporary art at the heart of her practice. With a sustained engagement in the arts and a deep understanding of India’s cultural ecosystem, she is regarded as a distinctive and authoritative voice in contemporary art journalism in India. Vandana Kalra's career has unfolded in step with the shifting contours of India’s cultural landscape, from the rise of the Indian art market to the growing prominence of global biennales and fairs. Closely tracking its ebbs and surges, she reports from studios, galleries, museums and exhibition spaces and has covered major Indian and international art fairs, museum exhibitions and biennales, including the Venice Biennale, Kochi-Muziris Biennale, Documenta, Islamic Arts Biennale. She has also been invited to cover landmark moments in modern Indian art, including SH Raza’s exhibition at the Centre Pompidou in Paris and the opening of the MF Husain Museum in Doha, reflecting her long engagement with the legacies of India’s modern masters. Alongside her writing, she applies a keen editorial sensibility, shaping and editing art and cultural coverage into informed, cohesive narratives. Through incisive features, interviews and critical reviews, she brings clarity to complex artistic conversations, foregrounding questions of process, patronage, craft, identity and cultural memory. The Global Art Circuit: She provides extensive coverage of major events like the Kochi-Muziris Biennale, Serendipity Arts Festival, and high-profile international auctions. Artist Spotlights: She writes in-depth features on modern masters (like M.F. Husain) and contemporary performance artists (like Marina Abramović). Art and Labor: A recurring theme in her writing is how art reflects the lives of the marginalized, including migrants, farmers, and labourers. Recent Notable Articles (Late 2025) Her recent portfolio is dominated by the coverage of the 2025 art season in India: 1. Kochi-Muziris Biennale & Serendipity Arts Festival "At Serendipity Arts Festival, a 'Shark Tank' of sorts for art and crafts startups" (Dec 20, 2025): On how a new incubator is helping artisans pitch products to investors. "Artist Birender Yadav's work gives voice to the migrant self" (Dec 17, 2025): A profile of an artist whose decade-long practice focuses on brick kiln workers. "At Kochi-Muziris Biennale, a farmer’s son from Patiala uses his art to draw attention to Delhi’s polluted air" (Dec 16, 2025). "Kochi Biennale showstopper Marina Abramović, a pioneer in performance art" (Dec 7, 2025): An interview with the world-renowned artist on the power of reinvention. 2. M.F. Husain & Modernism "Inside the new MF Husain Museum in Qatar" (Nov 29, 2025): A three-part series on the opening of Lawh Wa Qalam in Doha, exploring how a 2008 sketch became the architectural core of the museum. "Doha opens Lawh Wa Qalam: Celebrating the modernist's global legacy" (Nov 29, 2025). 3. Art Market & Records "Frida Kahlo sets record for the most expensive work by a female artist" (Nov 21, 2025): On Kahlo's canvas The Dream (The Bed) selling for $54.7 million. "All you need to know about Klimt’s canvas that is now the most expensive modern artwork" (Nov 19, 2025). "What’s special about a $12.1 million gold toilet?" (Nov 19, 2025): A quirky look at a flushable 18-karat gold artwork. 4. Art Education & History "Art as play: How process-driven activities are changing the way children learn art in India" (Nov 23, 2025). "A glimpse of Goa's layered history at Serendipity Arts Festival" (Dec 9, 2025): Exploring historical landmarks as venues for contemporary art. Signature Beats Vandana is known for her investigative approach to the art economy, having recently written about "Who funds the Kochi-Muziris Biennale?" (Dec 11, 2025), detailing the role of "Platinum Benefactors." She also explores the spiritual and geometric aspects of art, as seen in her retrospective on artist Akkitham Narayanan and the history of the Cholamandal Artists' Village (Nov 22, 2025). ... Read More

 

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