April 8, 2011 4:50:27 pm
Over five decades after his demise,the stalwart still continues to rule the hearts of movie-goers and proves to be an interesting subject for a biography.
The American Film Institute named him the greatest male star of all time,Warner Home Video recently released a wonderful 24-film,12-disc boxed set called Humphrey Bogart: The Essential Collection and hes the subject of a new biography,Stefan Kanfers Tough Without a Gun: The Extraordinary Afterlife of Humphrey Bogart.
Kanfers title comes from a letter Raymond Chandler wrote to his publisher upon hearing that Bogart had been cast as Philip Marlowe in The Big Sleep. Bogart can be tough without a gun, Chandler wrote. Also he has a sense of humour that contains the grating undertone of contempt. Alan Ladd is hard,bitter and occasionally charming,but he is after all a small boys idea of a tough guy. Bogart is the genuine article.
Actually,Bogart came from a privileged family. His father was a Yale-educated New York physician,his mother a leading commercial illustrator. Expelled from the prestigious Phillips Academy because of disciplinary problems,he ended up on Broadway in the 1920s playing mostly preppies,including one who may have been the first to utter the immortal line,Tennis,anyone? Early on,he wasnt a critics darling. Reviewing the 1922 play Swiftly,Alexander Woollcott wrote that Bogarts acting was what is usually and mercifully described as inadequate.
It wasnt until he was cast as the thug Duke Mantee in The Petrified Forest (1936),the movie version of the Robert E Sherwood play in which he starred a year earlier on Broadway,that Bogart became Bogart.
Cynical,gruff,with a sliver of sadism in his smile,Bogart was remaking himself into what would become the classic anti-hero of 1940s movies. The character was epitomised by his roles as a Dillinger-esque gangster in High Sierra (1941),the private eye Sam Spade in John Hustons The Maltese Falcon (1941) his first real A-list film at the ripe age of 41 and Marlowe in The Big Sleep (1946). But Bogart didnt need to be uncouth and unshaven to be an anti-hero. He could also do it in a tuxedo. Perhaps,his most iconic role is the nightclub owner Rick Blaine in Casablanca,where his cynicism turns out to be the thinnest of veneers for his romanticism. This mixture of scorn and chivalry accounts for much of Bogarts lasting appeal,although thankfully he never overplayed his soft side. He could be uncompromising.
A kinder-gentler Bogart would not have thrown over Mary Astor at the end of The Maltese Falcon. And,if Bogart was intent on preserving a sympathetic image,he wouldnt have played the paranoid gold prospector in The Treasure of the Sierra Madre (1948) or the strawberry-snooping Captain Queeg in The Caine Mutiny (1954). Both The Maltese Falcon and The Treasure of the Sierra Madre were directed by Bogarts frequent collaborator John Huston,who understood perhaps better than anyone else the dark depths Bogart was capable of reaching. Huston also recognised the comic side of Bogart in a way few others did. His grimy,cigar-chomping riverboat captain Charlie Allnut in The African Queen (1951) won him an Oscar. Beat the Devil,although its commercial failure severed the Bogart-Huston connection,is his most audaciously funny film.
Bogart is an international icon. Among the intelligentsia in France he has long been the poster boy for a kind of trench-coat existentialism. One of the most memorable moments in Jean-Luc Godards Breathless (1960) comes when its footloose hoodlum,played by Jean-Paul Belmondo,looks up at a movie poster of Bogart,smooths his lips to mimic the actors snarl,and mutters Bogie.
Bogart died at 57 in 1957. It was a relatively short career,but none burned brighter. Heres looking at you,kid.
📣 The Indian Express is now on Telegram. Click here to join our channel (@indianexpress) and stay updated with the latest headlines
- The Indian Express website has been rated GREEN for its credibility and trustworthiness by Newsguard, a global service that rates news sources for their journalistic standards.