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This is an archive article published on October 10, 1998

Even the fizz isn’t there

PUNE, Oct 9: The countdown has begun. Just ten days to go. It's almost here. The question is -- what? While any other year the query woul...

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PUNE, Oct 9: The countdown has begun. Just ten days to go. It’s almost here. The question is — what? While any other year the query would be blasphemous, this year it seems almost apt. With just days left for Diwali, this should be the time when the festive spirit is at peak. Markets and the stores choc-a-bloc. And customers and streets lined with colourful festoons and twinkling lights leading to palpable excitement in the air.

But if all these are conspicuous this year, its only by their minimal presence.

Never before has the festival of lights been as dull and lack-lustre. It’s not just the buying power that is missing but even the enthusiasm and excitement that usually herald this joyous celebration of the country. Take the most important shopping areas of Pune — M.G. Road and Laxmi Road. They are usually throbbing with activity at this time of the year. Not only are the crowds thinner at the doorsteps of jewellers, gift stores and saree shops, but even the stores are shorn of the traditional festive air. No lights, no frills and utter lack of enthusiasm grip the shop keepers and customers alike.

The Diwali sales banners are hardly there. And it’s just an odd window that is dressed with cutouts of the traditional diyas and lamps. With hardly any attempt being made to entice the customer or steal business from the store next door, it seems like a listless reconciliation to the belief doing rounds that sales shall not zoom this season.

The shamianas that should have been ready by now, adding colour and light to the streets, are still being planned. With not a single kandil swaying in the breeze, not one lane twinkling with the fairy lights and hardly any household deviating from its routine, quotidian life, Diwali could still be weeks away rather than a mere ten days.

If the sweetmeat shops are not inundated with orders, people are not labouring over their preparations at home either. “We do not plan to go in for elaborate sweet making this year. Maybe we’ll just buy a couple of kg a day before Diwali,” says Varsha Patil, who has traditionally been making huge quantities of sweets at home.

Shashi Nanda has even decided to forgo the ritual of new clothes. “Now one gets new clothes on almost all occasions, like birthdays and anniversaries. That feeling of waiting for Diwali to get a load of new clothes for the household seems outdated,” she states candidly.

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Little wonder then that as the shop keepers sit twiddling their thumbs, the cash registers are not ringing with gusto anywhere at all. “Things are definitely slow at the moment,” admits Hiten Parekh, proprietor, Bhavnagri Dry Fruit Company, one of the first stores to show some signs of the festive days by setting up a shamiana outside the store where dry fruit boxes have been displayed. “People seem to be holding back and there is a complete absence of the Diwali spirit. Usually by this time well-known chocolate companies send representatives around every single day with the new presentation packs they have come up with for the festival and take orders for them. This year they seem to have disappeared from the scene.” The advance bookings for boxes of dry fruits are negligible.

“Last year we booked orders for corporate gift items from about 50 big companies. This year the number is two or three,” states Manesh Shah of Shan Hira stores, that is usually thronged for gift items. “Most companies are either not giving the employees any gifts or if they are, it’s not beyond Rs. 100 in value, which is really low,” laments Shah.

A trend reiterated by Shantilal Ranka who insists that this is probably the most dull and listless Diwali he has witnessed in the 44 years of his store’s existence. Whereas his Hans Glass and Metal Mart should be throbbing with activity these days, the store shows absolutely no signs of extra stock or customers. “Every Diwali we do extra business of at least Rs 5 lakh. This year, I would be surprised if the amount touches even one lakh,” states Ranka. “Utensils are supposed to be an integral part of Diwali shopping but even that tradition seems to be changing. And those who used to buy pots and pans on Diwali are going in for sets of spoons this year. The sales have gone down by at least 25 per cent and everyone wants credit on the purchases”.

So what is it that has transformed the most vibrant and glittering festivals into a dull and dreary one? The answers are the same from every quarter. Lack of money in the market, economic recession, stock market crash and the oppressive burden of inflation. And of course, political instability.“Everyone feels that they are losing money or that their monthly expenses have surpassed their salaries. To add to that many of the companies have withheld bonuses. If there is no money in the pocket how do you expect people to have any spirit for the festival,” asks Parekh.

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The lackadaisical spirit is reflected most aptly perhaps in the dismal scene at Golibar Maidan where 14 stalls of firecrackers await customers, who are nowhere on the horizon. “Never have the sales been so abysmally low,” states R.M. Thomre speaking from his 25 years of experience. “What is also gone is the desire. There are no families with kids in tow coming to even survey the firecrackers available. Usually by this time we complete 25 per cent of the sales. This time we have not done even five per cent”.

Whatever the reasons, the fact remains that there is nothing going on to show that the biggest festival of the country is just round the corner. And though everyone is hopeful that things will pick up towards the end, till then it’s almost as though the festival of prosperity and joyous celebration, is happening somewhere else.

Sunanda Mehta is the Resident Editor of The Indian Express in Pune. She is a distinguished journalist, columnist, and author with over three decades of experience in the media industry. Educational background: A merit-lister in her 12 th in CBSE (5th rank in Humanities) Sunanda stood first in History in the Board for which she was awarded the Dr Tarachand Gold Medal. She is a triple-graduate with a Bachelor of Arts (History Honours) from Lady Shri Ram College, New Delhi, Bachelor of Education, Delhi University (on scholarship) and Bachelor of Communication and Journalism, University of Pune. Professional Background Role: As Resident Editor, she oversees the Pune edition of The Indian Express, managing local news coverage, investigative features, and editorial direction for the city. Author: She is an accomplished author, known for her biographies. Her notable books include: The Extraordinary Life and Death of Sunanda Pushkar published by Pan Macmillan (2019). The book was long-listed for the Atta Galatta award for nonfiction and Auther award for best debut author. Majestic Musings - Translation of poems from 100 year old Badshaian from Punjabi to English (2023) Behind the Big Screen- the untold stories of child actors published by Bloomsbury India (2024) Focus Areas: While Sunanda has reported on various subjects from civic to political to investigative and crime, her forte remains long-form human-interest stories, heritage and gender issues. Core Column: "Against All Odds" Sunanda curates and writes a signature series titled "Against All Odds," which profiles individuals who have overcome significant personal, medical, or professional challenges. Recent notable articles (2025) The Story of Dr. Harinder Dhaliwal (July 2025): A Pune AFMC topper who became a neurologist in Canada despite becoming paraplegic. Jayoo Patwardhan’s Cancer Journey (Jan 2025): How the National Film Award-winning designer defeated cancer. Partha Iyengar’s Emergency mid-air (Aug 2025): The story of how Gartner’s India head survived a massive heart attack during a long-haul flight. Recent Notable Articles (Late 2025) Her recent reportage continues to explore deep personal narratives and Pune’s socio-environmental landscape: 1. Personal Narratives & Closure "'I grieved for him 10 years after his murder, found closure to unsolved case'" (Dec 14, 2025): A poignant feature on Vineet Alurkar, son of the late Pune music legend Suresh Alurkar, and how digitizing his father’s collection helped him heal. "A 40-day journey home: how Christopher Benninger's partner gave him the gift of memories" (Nov 23, 2025): A moving tribute to the late acclaimed architect Christopher Benninger and his final trip to the US. "'After 38 years I finally met my biological mother'" (Sept 28, 2025): Chronicling the journey of an adopted daughter from Zurich searching for her roots in Pune. 2. Civic & Heritage "'Vetal Tekdi belongs to common citizens'" (Oct 20, 2025): An interview with environmental activist Dr. Sushma Date on the community-led protection of Pune’s vital green lungs. "'Military village' Apshinge recalls living through war days" (Aug 12, 2025): A report from a village in Maharashtra where nearly every household has a member in the armed forces, focusing on their legacy and current anxieties. 3. High-Profile Commentary & Investigations "Malegaon blast acquittals: 'I was expecting this verdict'" (July 31, 2025): An interview with former special public prosecutor Rohini Salian following the controversial acquittals. "Grounded, license cancelled... she decided to soar higher" (March 30, 2025): The story of Dr. Harpreet A De Singh, Air India’s first woman pilot from 1988, and her transition to leadership and meditation. Signature Style Sunanda Mehta is known for her empathetic storytelling. Unlike standard news reporting, her features often read like narrative non-fiction, focusing on the psychological and emotional resilience of her subjects. One of her articles in The Indian Express titled 'The Quality of Mercy' was converted into a film Rubaru Roshini produced by actor Aamir Khan. She is a strong advocate for Pune's heritage and environment, frequently using her platform to amplify citizen-led movements. X (Twitter): @sunandamehta and @ExpressPune ... Read More

 

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