This is an archive article published on July 15, 2025

What to expect at Kochi-Muziris Biennale 2025-26?  

Artist Nikhil Chopra and HH Art Spaces have share their curatorial vision for the art event's sixth edition that will open in December 2025

kochi biennaleFrom artists to tourists, fisherfolk and students, the event is open to all. (Source: Kochi Biennale Foundation)

With less than six months for the opening of the sixth edition of the Kochi-Muziris Biennale — which will be held from December 2025 to March 2026 — its curators, multi-disciplinary artist Nikhil Chopra and Goa-based artist-led organisation HH Art Spaces, shared their curatorial vision on July 15.

Titled “For the Time Being” the curators note that the Biennale “is an invitation to embrace process as methodology, and to place the friendship economies that have long nurtured artist-led initiatives as the very scaffolding of the exhibition”.

Alluding to Kochi’s past as a historic port city and centre for trade, the note states, “we begin with our site and region to engage in dialogue with emerging global perspectives. This rootedness allows us to resist the pressures of the conventional biennale model as a finished spectacle, and instead shape something that is evolving, responsive, and alive.”

It adds: “This edition of the biennale is also an invitation to think through embodied histories, of those that came before us and continue to live within us in the form of cells, stories and techniques… We invite artists to seek resonances across geography and time, to trace shared memories, mirrored struggles, and new affinities rooted in empathy and deep listening.”

One of India’s biggest art events that also draws significant global attention, the biennale that had its inaugural edition in December 2012 has been grappling with challenges in recent years. Postponed a day before it was to open its fifth edition in 2022, the sixth edition of the biennale was initially scheduled to be held in December 2024.

While Chopra and HH Art Spaces were announced curators for the forthcoming edition in November 2024, a release issued had also noted that the event will feature 60 artists and artistic practices from across India and the world.

Last year also saw several organisational changes in the Kochi Biennale Foundation (KBF). While former Chief Secretary to the Government of Kerala Venu Vasudevan is now the chairperson of the KBF, former United Nations official Thomas Varghese is CEO of the foundation.

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Conceived in 2010 at the behest of the then culture minister for Kerala, MA Baby, and with Kerala-born Mumbai-based artists Bose Krishnamachari and Riyas Komu at the helm, the first edition of the biennale was curated by the duo. In the subsequent years, the biennale has seen artist-curators such as Jitish Kallat (2014-15), Sudarshan Shetty (2016-17), Anita Dube (2018-19) and Shubigi Rao (2022-23).

The list of participants for this year is expected to be announced in October. The curatorial vision further states, “Many forms of liveness — performances, actions and conversations — will bring alive the 110 days of the Biennale. Durational works that blur process and presentation will invite audiences into embodied, participatory moments, challenging a static exhibition. We believe this is what a Biennale can be: a space of aliveness, presence, and communion. A place where people come together, not just to see art, but to be with it, and with each other.”

Vandana Kalra is an art critic and Deputy Associate Editor with The Indian Express. She has spent more than two decades chronicling arts, culture and everyday life, with modern and contemporary art at the heart of her practice. With a sustained engagement in the arts and a deep understanding of India’s cultural ecosystem, she is regarded as a distinctive and authoritative voice in contemporary art journalism in India. Vandana Kalra's career has unfolded in step with the shifting contours of India’s cultural landscape, from the rise of the Indian art market to the growing prominence of global biennales and fairs. Closely tracking its ebbs and surges, she reports from studios, galleries, museums and exhibition spaces and has covered major Indian and international art fairs, museum exhibitions and biennales, including the Venice Biennale, Kochi-Muziris Biennale, Documenta, Islamic Arts Biennale. She has also been invited to cover landmark moments in modern Indian art, including SH Raza’s exhibition at the Centre Pompidou in Paris and the opening of the MF Husain Museum in Doha, reflecting her long engagement with the legacies of India’s modern masters. Alongside her writing, she applies a keen editorial sensibility, shaping and editing art and cultural coverage into informed, cohesive narratives. Through incisive features, interviews and critical reviews, she brings clarity to complex artistic conversations, foregrounding questions of process, patronage, craft, identity and cultural memory. The Global Art Circuit: She provides extensive coverage of major events like the Kochi-Muziris Biennale, Serendipity Arts Festival, and high-profile international auctions. Artist Spotlights: She writes in-depth features on modern masters (like M.F. Husain) and contemporary performance artists (like Marina Abramović). Art and Labor: A recurring theme in her writing is how art reflects the lives of the marginalized, including migrants, farmers, and labourers. Recent Notable Articles (Late 2025) Her recent portfolio is dominated by the coverage of the 2025 art season in India: 1. Kochi-Muziris Biennale & Serendipity Arts Festival "At Serendipity Arts Festival, a 'Shark Tank' of sorts for art and crafts startups" (Dec 20, 2025): On how a new incubator is helping artisans pitch products to investors. "Artist Birender Yadav's work gives voice to the migrant self" (Dec 17, 2025): A profile of an artist whose decade-long practice focuses on brick kiln workers. "At Kochi-Muziris Biennale, a farmer’s son from Patiala uses his art to draw attention to Delhi’s polluted air" (Dec 16, 2025). "Kochi Biennale showstopper Marina Abramović, a pioneer in performance art" (Dec 7, 2025): An interview with the world-renowned artist on the power of reinvention. 2. M.F. Husain & Modernism "Inside the new MF Husain Museum in Qatar" (Nov 29, 2025): A three-part series on the opening of Lawh Wa Qalam in Doha, exploring how a 2008 sketch became the architectural core of the museum. "Doha opens Lawh Wa Qalam: Celebrating the modernist's global legacy" (Nov 29, 2025). 3. Art Market & Records "Frida Kahlo sets record for the most expensive work by a female artist" (Nov 21, 2025): On Kahlo's canvas The Dream (The Bed) selling for $54.7 million. "All you need to know about Klimt’s canvas that is now the most expensive modern artwork" (Nov 19, 2025). "What’s special about a $12.1 million gold toilet?" (Nov 19, 2025): A quirky look at a flushable 18-karat gold artwork. 4. Art Education & History "Art as play: How process-driven activities are changing the way children learn art in India" (Nov 23, 2025). "A glimpse of Goa's layered history at Serendipity Arts Festival" (Dec 9, 2025): Exploring historical landmarks as venues for contemporary art. Signature Beats Vandana is known for her investigative approach to the art economy, having recently written about "Who funds the Kochi-Muziris Biennale?" (Dec 11, 2025), detailing the role of "Platinum Benefactors." She also explores the spiritual and geometric aspects of art, as seen in her retrospective on artist Akkitham Narayanan and the history of the Cholamandal Artists' Village (Nov 22, 2025). ... Read More


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